Showing posts with label film review. Show all posts
Showing posts with label film review. Show all posts

Monday, April 12

Movie Review - An American Haunting

I actually posted this review here once before, but that was a couple years back. Thought I'd repost it for some of my newer readers...

Here in Tennessee the Bell Witch is a big deal. I remember as a kid we all knew the legends. There was a witch that supposedly existed in Tennessee, and she haunted the Bell family, even killing one of them. Legend said if you went into the bathroom, turned off all the lights, and slowly turned in circles repeating "I don't believe in the Bell Witch" ten times, she would appear in the mirror and attack you, clawing your face. At least that's the way I remember it. I have heard other similar versions of this kids' tale repeated by various people who grew up in these parts.

In Elementary school one year we took a field trip to the Children's Theater in downtown Nashville. I remember loading into the buses and riding across town to see the "Bell Witch" play they were performing. Scared the beejezus outta me. They had a blackout toward the end accompanied by a bloodcurdling scream, if I remember correctly. It was so cool! All the kids talked about it for weeks. People held seances to try and conjure the Bell Witch. It was big stuff.

The Bell Witch is a legendary haunting that supposedly took place in the area of Tennessee now known as Adams, Tn. Supposedly the Bell family was beset by a demonic force, a poltergeist which haunted them and terrorized their family. In particular it attacked the daughter, Betsy, slapping her face, pulling her hair, pinching and scratching her. The spirit was witnessed by a number of different people, and well documented. President Andrew Jackson supposedly saw it firsthand, and afterwards said, "I'd rather fight the British than spend the night in the Bell house."

Legend says the spirit attacked the father, John Bell, and eventually drove him to his death. John Bell was struck with an illness which left him with difficulty speaking. His health slowly declined until he eventually died. According to legend John's medicine was switched with a bottle of poison. The witch claimed she had replaced it and poisoned John. Supposedly the spirit disappeared for a while, but returned again years later, to haunt John Bell's son.


On the grounds formerly owned by the Bell family there is a tourist attraction called "The Bell Witch Cave." When I first started my TV show, I shot my second episode there. For Episode One I hosted a friend's movie filmed in nearby Murfreesboro, TN. The very next episode I went to Adams TN and toured the cave, interviewed the owner, and talked about the legend of the Bell Witch!! I couldn't wait to highlight the Bell Witch! It is rumored that strange activities still take place on those grounds to this very day! I have taken several friends there, including fellow horror host Count Gore DeVol when he visited a few years ago.

Needless to say, I have a bit of a personal attachment when it comes to the Bell Witch. That is our legend, a Tennessee tale that we're proud of. So it was with great interest that I finally sat down and watched AN AMERICAN HAUNTING last night.

AN AMERICAN HAUNTING was filmed in 2005 and released in 2006. It was written and directed by Courtney Solomon, who's only previous directorial experience was the 2000 film DUNGEONS AND DRAGONS. It was based on the book "The Bell Witch: An American Haunting", by Brent Monohan. It stars Donald Sutherland as John Bell, Sissy Spacek as his wife Lucy, and Rachel Hurd-Ward as Betsy Bell.

WARNING: There's gonna be spoilers from here on out.

This movie starts out in modern times. We see a young girl who wakes from a bad dream. It turns out she has been prowling in the attic, which she is mysteriously forbidden to enter, and has retrieved a few items: a book, manuscript and doll. Her mother, who is divorced, takes these items from the girl, who is readying for a weekend away with her father, and takes them to the next room where she looks them over. Turns out these are the diaries of the Bell family, who we are led to believe are descendants of this family

As the mother begins reading from the journals we flash back to the Bell family in the 1800s and follow their story. Occasionally the film jumps back to present day, to remind us this is a narrative.

John Bell angers a woman named Kate Batts, who is rumored to be a witch. They have a land dispute which is settled in court, but not to Kate's satisfaction. She promises she'll get revenge.


Shortly thereafter the hauntings begin. At first these are fairly harmless: mysterious sounds in the night and covers being yanked off the bed, but later physical attacks begin, mainly upon Betsy. She is drug around the house by her hair, raised off the ground by the hair, slapped, and thrown across the room violently.

Eventually Betsy's school teacher tries to help, staying at the house and at first attempting to explain away the disturbances until he no longer can and becomes a believer. Eventually John Bell becomes sick, on the brink of dying, and the true secret of the manifestations is revealed. John Bell has been molesting his daughter Betsy. When his wife finds out she is grief stricken, and poisons him. He dies and is buried, and shortly thereafter the spirit disappears. We are then told that Lucy suspects it was no spirit after all but a part of Betsy herself she conjured forth as a defense mechanism against her father's advances.

We then cut back to present day, where the girl is leaving for the weekend visit with her father. As the door closes, the mother sees a vision of the ghost of the Betsy Bell and realizes HER daughter is also being molested by her ex-husband, and runs screaming after their car, chasing them down the driveway! End.



I was lying in bad with my wife watching this, and afterwards I turned to her and said, "You know, I think I hate this movie."

The writer/director, Courtney Solomon, is a native Canadian, and that perhaps explains why this was shot on location partly in Canada. But why it was also shot on location in Romania is beyond me. Maybe someone can explain to me why, when you are making a movie about the Bell Witch, a legend of Tennessee folklore, you don't shoot it on location somewhere in the state of Tennessee. I understand that the owners of the Bell Witch cave now refuse to let anyone shoot on their property. Fine. Film it somewhere else. They probably could have gotten any number of locations in the nearby area for free – there are plenty of people who wouldn't mind the Bell Witch movie being shot on their property. I realize this is nit-picking to some degree, but a real opportunity to lend some legitimacy to the film was missed, not to mention a great promotional opportunity.




Instead they shoot it in Canada and Romania, and honestly, it just looks wrong. The trees are obviously not the type we have here, the surroundings look nothing like Tennessee –even the woods are foreign looking. We NEVER get the size snow you see in this movie here in Tennessee. Heck, they close the schools if we get an inch of snow, no joke. It was in the 60s here last week. But all of that is forgivable when compared to the movie itself.

The wrap around story was ridiculously cliché. It was so clumsily handled it was laughable, especially at the end when Betsy's ghost appears and she runs screaming down the driveway. The premise of these books sitting up in the attic for whatever reason is never explained, the connection to the Bell family hinted only through the mother's glances to the framed picture. I could have taken this movie much more seriously without these wrap-around bits.


The movie had some suspenseful moments, and some creepy effects. But these were ruined when the source of the troubles is revealed. It felt like a real cheat, some poor man's M. Night Shyamalan. To quote a recent South Park episode where military leaders consult M. Night Shyamalan for ideas to solve a dire dilemma - "No sir, I'm sorry, those aren't ideas, they're a twist!" I don't know how closely this film follows the book, but the premise of child molestation was just really a cheap shot. Nowhere has there ever been any indication of foul play on the part of John Bell, and the insinuation that Lucy poisoned him is equally undocumented.


To top it all off the grand cheesy moment comes in the form of several "ghost-cam" shots, where we slip into the viewpoint of the spirit tormenting the family, moving throughout the house, and actually flying across the countryside at high speed at one point chasing some of the family who are trying to escape in a carriage, complete with requisite growling and evil sounds, of course!

To be fair, I realize this isn't the most un-biased review. Hey, you got me. I'm a native Tennessean, born and raised here, and we like our legend. Here's the real basis of the myth: Kate Batts was the Bell Witch, she was angered by John Bell, released a spirit which haunted and tormented the family, ultimately leading to John's death. It was well documented, even seen by Andrew Jackson (of whom there is no mention in this film). THAT is your story. Shoot that, not some BS that belongs on the Springer show. And you know, I think when it's all said and done that is what disappoints me the most about this. There is a really creepy and scary story to be told here, but the filmmakers missed the mark and went the cheap exploitative route instead.

You know what - I hope the ghost of John Bell visits Courtney Solomon and Brent Monohan for slandering his good name. How's THAT for an American Haunting?!

Tuesday, February 23

Hellbilly Deluxe 2 Review



I finally got my hands on the new Rob Zombie CD. I’ve been looking forward to hearing this one since I saw Rob play live a few months back in Louisville, KY on a mini-tour in support for the upcoming album. They played a couple of the new songs, which went over really well live, so I was looking forward to hearing the rest of the CD.

It’s called Hellbilly Deluxe 2 and was released Feb 2nd 2010. This is a follow-up CD to Rob’s first solo effort, Hellbilly Deluxe, released in 1998. I got my copy from a Barnes and Nobles at a local mall for right around 10 bucks. Not bad at all.

Hellbilly Deluxe was a breakout album for Rob. He had outgrown White Zombie and was ready to branch out on his own. The songs on that one are classics he’ll be playing for years… Superbeast, Living Dead Girl, Dragula, Demonoid Phenomenon,Spookshow Baby - Great stuff that really brought horror movies and comic book subculture to the mainstream public in a way that hadn’t been done since Alice Cooper’s heyday. There are a ton of other bands out there flying the horror banner high, don’t get me wrong, but none that have that massive fan base and a major label behind them, and certainly none getting mainstream airplay like Rob does.

On both Hellbilly Deluxe and the 2001 follow-up, The Sinister Urge, Rob is drawing deeply from that horror well. Like a rock and roll shaman or a musical version of a classic horror host, Rob guides his listeners through song after song of monsters, B-movies, sex and gore. Which is kind of a fitting description, actually, as Rob has even done some horror hosting in his time, hosting a series of movies for none other than AMC TV.

But on the album Educated Horses from 2006, Rob seemed to step away from this shock rock horror host persona a bit. The album seemed a bit more subdued and in fact Rob doesn’t even appear in trademark costume or makeup on that cover. It is more of a rock album and less of the techno-industrial metal sound from the previous two CDs. Perhaps he was going for a more adult sound, or just channeling whatever influences he had going on at that time. But either way, it was a bit disappointing of an effort for me.

But I’m happy to report that on the new CD, Hellbilly Deluxe 2, Rob is back in the horror swing full force. There are 11 tracks on this one, and once again Rob has fully embraced that horror persona that made him so successful. This is Rob Zombie the entertainer, the monster, the horror host.

The full title of the CD is: Hellbilly Deluxe 2: Noble Jackals, Penny Dreadfuls and the Systematic Dehumanization of Cool - which is a fitting title as it summarizes the horror movie and pop-culture influence on this disc. Rob Zombie makes horror cool. Wrapped in danceable techno-tinged head boppin’ riffs, Rob’s music runs the gamut of nerdsville and tells us this is what’s cool, not your plastic, popular, pretty-people but your dirty, grimy, blood spattered b-movies. The songs on this disc cruise through topics as diverse as lyncathropy, witchcraft, slasher films and even a tribute to Lon Chaney Sr.
Werewolf Women of the SS is my favorite track off this disc and I swear it sounds just like it could have come off of those first two CDs. This song is titled after the fake movie trailer Rob did for Quentin Tarintino’s Grindhouse film. Man, I wish Rob would make this movie. What a great exploitation flick this would be. Sexy women, evil Nazis, shape shifting werewolves – man that’s right up Rob’s alley, I’d think. Rob, man, you really should consider making this movie!

While Hellbilly Deluxe 2 may not be as strong of an album as either the original Hellbilly Deluxe or The Sinister Urge, it is nonetheless refreshing to see Rob return to his horror roots. Definitely a worthy addition to the Zombie catalog, and let me tell you – if Rob comes to your town live you should do yourself a favor and go see them. The band has kept the same 4 members over the past few releases and it shows. They are super tight live and John Five is a kick-ass guitarist. Their stage show is a visual assault of flashing lights, horror movie imagery, cartoons and sexy women. If this is juvenile fare then I don’t wanna grow up!

Hellbilly Deluxe 2 track listing:
01. Jesus Frankenstein
02. Sick Bubble-Gun
03. What?
04. Mars Needs Women
05. Werewolf, Baby
06. Virgin Witch
07. Dream Factory
08. Burn
09. Cease to Exist
10. Werewolf Women of the SS
11. The Man Who Laughs

Saturday, February 16

My thoughts on Cloverfield

I finally got a free afternoon to check out this movie. I'd been looking forward to seeing Cloverfield since I first saw the trailer a few months back. Thought I'd share my thoughts on this film.

I had an idea in mind of what to expect going in, as I'd heard a few things about it, seen a couple of different trailers and heard some word of mouth. Unfortunately, that can't be avoided when you have to wait a few weeks to see a movie. I prefer to go into a movie with no preconceived notions and no idea what to expect. Almost all of my favorite movie viewing experiences have been this way, when you are totally pleasantly surprised by what transpires on the screen in front of you.

This time, however, that wasn't the case. Not that that is a bad thing, just the way it was. My friend Eathen and I arrived a few minutes before the show started and the theater was almost empty. We settled in and after a half dozen or so trailers and a couple of commercials the film started. Now, I had been warned that it was shot as if with a hand held camera, a-la the Blair Witch, but I was still unprepared for the amount of shakiness on screen. After a half hour of this my head was a bit woozy - after an hour of it, I was downright nauseous. Maybe I'm just more susceptible to this than most folks, but I had to stop watching the screen and just listen to parts of it to avoid getting sick, glancing up whenever possible to keep up with the action, but looking at the floor the rest of the time to avoid heaving. The entire video camera gimmick got old after a very short period of time. The same story could have been told with the same characters without it being done so entirely through a hand held video camera.

Speaking of which, that was exactly the thing that I had the most problems with. I found it easier to suspend my disbelief in a giant rampaging monster than in this video camera technique. I work as an audio visual guy in my day job - or at least that is a large part of my job duties. I know cameras, and let me tell you, if they have one on the market like the ones these folks were using I want one.

Have you ever dropped a camera? I have, from a distance of about three feet, and it was never the same again. This camera was dropped from a distance of about twenty feet, survived a helicopter crash, and lasted through an explosion I can only assume was a nuclear one, and whatever magnetic pulse would have been generated. That is one tough camera.

Not to mention that the characters never, at any time, change tapes or batteries on this camera. Standard mini-dv camera tapes are 60 min long. There are 80 min tapes available, but I’ve never seen any in stores, only online. This movie is 85 min long, and since what we’re seeing is real-time, that means they would have to have at least 85 min of tape in the camera. There is no way that these characters, who barely seem to be able to operate a camera, would have the longer tapes, they would be shooting on whatever is readily available.

It is possible they could have shot this in LP mode, and gotten 120 min of footage, but the quality would look bad, much worse than what we were seeing.

And then there are the battery issues…the battery on my consumer camera wants to start crapping out after I film just one of my son’s basketball games, which is about 40 minutes. It goes out quicker if I film it through the pop out window, like the characters are doing in the shot below.

Even if they had the longer tapes, or were shooting in LP mode, they would have to recharge the battery or have backup, charged batteries. I kept thinking about this during the movie. “Damn, those are some long lasting batteries.” I know I come off like some nitpicking nerd here, but these technical issues pulled me right out of the movie.

Telling the story from the perspective of a bystander caught in the grip of this catastrophe was really a great idea. The emotional impact was incredible and there was a real 9-11 feel to certain parts of it, particularly at the beginning as a building collapses and a giant cloud of debris rushes down the street toward the main characters. It looked almost exactly like footage from 9-11, especially since this was happening IN New York City.


Overall I think the film works, and is very powerful in areas, but suffers from the very techniques that make it unique. Any technique can be overdone, and should be used only as much as appropriate. The fact that I felt physically nauseous made this a way overdone gimmick for me.

I've read that there may be a sequel in the works soon. If so, I hope they decide to lose the hand held technique and just tell a good story. It would be easy enough to follow a group of individuals through this crisis with a tripod mounted camera, and I don’t think the effect would be lessened at all. This hand held technique was old after about five minutes of the Blair Witch, much less 85 minutes of Cloverfield.

Saturday, November 17

Horror Movies Abound

Seems almost every other movie nowadays is a horror title, which I have to say I am quite happy about. I remember the drought of horror films in the early 90s where it almost seemed the genre was dying.















I received a press release the other day about P2. I have to admit I'd seen the previews on TV but wasn't too sure about it. Here is the setup:


It's Christmas Eve. Angela Bridges (Rachel Nichols- “Alias”), an ambitious young executive, works late before she leaves for her family's holiday party. When she gets down to the parking garage, she discovers that her car won't start. The garage is deserted and her cell phone doesn't get a signal underground. When Thomas (Wes Bentley- AMERICAN BEAUTY), a friendly security guard, comes along and offers to help, Angela nervously accepts his gesture of good will. Soon after a failed attempt to start her car, he invites her to stay and share a small Christmas dinner he's preparing in the parking office, but she laughs it off. Angela doesn't realize this is no laughing matter – Thomas has been watching her closely...for months. His dinner invitation is not optional. If Angela wants to live to see Christmas morning, she must find a way to escape from level P2 of the parking garage.



Will be interesting to see if this movie does well. It has some stiff competition with the Christmas season coming up. The fact it's a Christmas themed film had to play into the release date. This film will probably play well with the younger audience, which is the target audience, I'd think. Interesting how every film has to write in an excuse for why cell phones won't work. Sign of the times, eh?