As of January 1st, a new batch of films entered the public domain—this time films from 1929. Among the notable films from that year are the Alfred Hitchcock film Blackmail, the first Marx Brothers film, The Cocoanuts, and the number 1 grossing film of that year, The Broadway Melody. Even though there aren’t many films from this year’s offerings that I will screen on my show, it’s still exciting for me as a horror host as it inches us that much closer to the big two becoming public domain. And by those big two, I mean the two films that kicked off a new era of monster movies for Universal Studios and had a huge impact on me as a kid… Dracula and Frankenstein. Due to their 1931 creation, both Dracula and Frankenstein will become public domain in 2027.
That will be a day to celebrate, but it’s absolutely incredible to me to consider where we’d be if it hadn’t been for one particular piece of legislation and one particularly diabolical congressman—Sonny Bono. That’s right, Sonny Bono, of Sonny and Cher fame. Sonny became a congressman in California, and Disney quickly got him in their pocket. He proposed a piece of legislation largely to protect the copyright of Mickey Mouse. It became known as the Copyright Term Extension Act, also known as the Sonny Bono Act. It essentially put a moratorium on films entering the public domain for 20 years. 20 YEARS!
That means that instead of films from 1929 entering the public domain this year, we would have had films from 1949 entering. That blows my mind. The Third Man, Rope, It’s a Wonderful Life, Casablanca, Citizen Kane, Miracle on 34th Street, Abbott and Costello Meet Frankenstein, Bride of Frankenstein, House of Dracula, The Wolf Man, The Cat People, The Maltese Falcon, King Kong, and SO MANY others would be public domain now.
Sonny Bono will forever be a villain in my book, right up there with Fredric Wertham (the psychiatrist that attacked and smeared EC comics and their fellow comic book companies in the 1950s). His name should forever go down in infamy.
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