Showing posts with label Eric Powell. Show all posts
Showing posts with label Eric Powell. Show all posts

Friday, August 22

H.P. LOVECRAFT ART SHOW - Cthulhu Calling 3!


August 20th marks the birthday of horror writer Howard Phillips Lovecraft, whose Cthulu mythos and cosmic terrors continue to inspire to a legion of writers, artists, filmmakers and more to this very day. Case in point was a cool event I attended last weekend at the Cult Fiction Underground lounge in Nashville, TN - CTHULHU CALLING 3. Yes, the influence of the elder Gods even reaches into the heart of the bible belt!!

This was the third annual Lovecraftian event, and the place was packed. There were some fantastic pieces this year - Here's a few pictures from the event:






This final piece is from my good friend Eric Powell, comic artist/writer extraordinaire and creator of The Goon.

The event is organized by Adam Baker, Cthulhu enthusiast and the fella responsible for the awesome King in Yellow piece above, as well as the trio of tentacled ladies piece that was used in the advertisement. Amazing work as always, Adam! Thanks for organizing this monstrous event from the stygian depths of Music City!



 

Thursday, June 9

The Greed of Diamond Distributions

The times they are a changing… so wrote Bob Dylan back in 1964, and that saying is as true now as it was then - change is one thing you can always count on. Technological advances have changed the way we do business in every walk of life, and the comic book industry is no exception. Comic books, traditionally a print and paper product, are turning more and more toward a digital art form. Digital comic books - seems a weird concept. Yet that’s the way things are going for a number of reasons.

As I’ve mentioned on the blog here before, I got my start in comic books. A fan all my life, it was my early ambition to work in the comic book field. I studied art in college and began doing a little freelance work after graduation, and eventually started my own comic book company, along with my friend Chuck Angell. We self-published a handful of comics, most noteworthy of which is BEST CELLARS #1, which featured the first printed work of a young local artist we met named Eric Powell.

While running this company, originally called OUT OF THE CELLAR COMICS and later changed to VOLUNTEER COMICS, I learned a lot about the comic book industry. Deadlines, workflow, hours at the art table were all things I had anticipated – dealing with Diamond and Capital City, however, wasn’t. Capital City? Yeah, they were a distributor who was Diamond’s direct competitor back in the good old days when there was more than one major comic book distributor. Diamond eventually bought them out – and then there was one.

Capital City was always easier to deal with and had friendlier customer service. Once Diamond became the only game in town this became even worse. I’m speaking from the viewpoint of an Independent publisher with low print runs. Diamond had no minimum print run rule back then, although they preferred you kept it over 1000 and would drop you if you had three consecutive issues with under 1000 issues sold. At least this is my recollection of things, as we’re talking about the early 90’s here.

One thing that killed my enthusiasm for the self-publishing venture was Diamond Distributions. I HATED dealing with them. It was bad enough that comics cost so much to print. Paper costs were always rising and it cost 1000 bucks or more per issue to print. On top of that Diamond would take SIXTY percent of the cost of a comic right off the top. SIXTY percent. Unbelievable! By the time you paid to print a comic and Diamond took their cut of sales you were lucky to break even. For a family man working a 40 hour per week job and trying to make ends meet it was a stressful situation. Look, I understand that Diamond is in business to make money. But the whole model sucks.

I got out of the comic book publishing game and turned my creative energy toward my horror hosting gig, which I’ve been doing happily for 13 years now and counting. Over the years since then Diamond has become increasingly unfriendly toward small publishers, and in fact won’t even carry books under a certain order number, or so I am told. Originally 1000 copies, they later raised this minimum to 1500, a difficult number for many Indy publishers. The little guy is simply unwanted by Diamond, it isn’t worth their time, which is a shame. Rather than work with the Indy publishers they would rather push them out and concentrate on Marvel and DC, as that’s where the money is.

I really think this is a large part in the decline of the industry. You are pushing out the very people who are your life blood. I guarantee I am not the only creator who got out of the business and no longer buys any comics at all. This isn’t because I don’t like them, but more than anything else because I can’t justify paying 3-5 dollars for a COMIC BOOK! Ridiculous. I know I sound like a grumpy old man here but I used to pay 75 cents for comics that were way better than anything Marvel or DC is putting out nowadays. And the costs keep going up because of rising paper, printing and distribution costs.

So now along comes the internet, which I call the great equalizer. And you know what? Publishers now have instant distribution to the entire world without any printing or distribution cost! Amazing. The internet is the new distributor and Diamond is sweating. The writing is on the wall. This is the future of the industry. Ipads, ipods, iphones and other digital devices have really opened up this market.

Diamond is trying to take their monopoly into the digital domain, and if they have their way they would control the distribution of digital comics too. They have partnered with iverse and offer digital comics that are available to customers THAT BUY THEM IN THE COMIC BOOK SHOPS. Huh? You mean I have to actually walk into a shop to buy a code to download a digital comic? Yup. And here’s the kicker – they still make you pay 1.99 for it unless you buy a hard copy too, in which case the additional digital version only costs .99.

This makes no sense. They aren’t distributing ANYTHING across the internet. Let me reiterate. DIAMOND ISN’T DISTRIBUTING ANYTHING ACROSS THE INTERNET. The internet is the distributor here. The creator makes it. Iverse puts it online. Diamond simply adds to the cost by making it available in their catalog. As physical print sales of paper comics declines further and further why bother with Diamond? Go digital and forget them. I’m talking to the Indy publishers out there. Marvel and DC are doing their own thing digitally.

The time is ripe for a smart new company to swoop in and knock Diamond off their exclusive throne. Cut out the middle man - What makes much more sense than Diamond’s backwards-thinking model is simply an online catalog or list of comics available digitally that you can download from your own computer. You shouldn’t have to go into a comic book shop to get a digital comic if you don’t want to, and you shouldn’t have to buy anything else to get the cheaper download. Simply have an online catalog of weekly comics. Maybe charge a small fee to be listed, or a yearly fee, that the publisher pays to be listed in this catalog. Make it searchable, by company, creator, genre and style.

Digital comics should cost no more than .99 per issue. There is no paper cost, and no distributer taking 60% off the top. This makes a far cheaper product still financially viable. ENCOURAGE people to order MORE comics - Maybe offer a discount if they order ten or more digital comics. This could grow the entire industry! And best of all no crappy customer service, shipping costs, misplaced or mis-shipped product.

What Netflix did to the movie industry is about to happen to the comics scene. The old distribution mode is outdated. This really opens up some opportunities for publishers. It is time for Diamond to go away. Leave Diamond twisting in the wind like they have done the Indy publishers over the years. Go digital and use the print on demand printers for the few physical orders you have.

Monday, August 16

Talkin to the big Goon himself...

Greetings Fright Fans – tonight it’s my pleasure to welcome to the lab a man who has been working in the field of comic books for over a decade, churning out more monster bashin’ fun than you can shake a severed limb at. It’s my pleasure to welcome my friend and fellow Middle Tennessean Eric Powell in to the lab tonight



Welcome back to the lab, Eric. I wasn’t sure if you’d agree to come back again, after that unfortunate accident last time that left you with three arms…

Eh, I can draw faster now.


Since the last time we spoke you have become a multi-Eisner award winner - congratulations! For those readers who aren’t familiar with the Eisner awards, they’re like the Academy Awards for comic books. Talk about winning the Eisner Award and what it meant tp you, if you would…

It meant a lot to me. Not only is it the award named after one of my idols in comics, it was nice to be recognized by fellow creators in the industry. It's always nice when anyone tells you, "good Job." And I have special memories about receiving the awards. The first one I won I was actually able to receive from Will Eisner himself. The last time he attended before passing. The next time I received one was from Jeff Smith, who was one of my inspirations to attempt to do a creator owned project.


Describe your comic, The Goon, to my readers who may not be familiar with it…

It's a bunch of silly crap about a big thug that lives in a depression era like world full of monsters and he punches stuff.





You began The Goon as a self-publishing venture, and the book is now published through Dark Horse Comics. Does Dark Horse give you the same creative freedom you had self-publishing?

Yeah, I do whatever I want with the Goon. They never try to attempt to move me in any direction creatively.


Congratulations on a decade of fist fightin’ fun with the Goon. That is quite an achievement, especially in today’s market. At the tenth anniversary celebration party you brought Calabrese and Ghoultown to Nashville play at The Cannery. I just have to say thank you for the opportunity to finally see two of my favorite horror punk bands live!

I love those guys! I saw both of them play at Dragon-con and I couldn't think of anyone else better to provide music for our 10th anniversary party.


You also announced a very cool project at the event, a crossover event between The Goon and Metalocalypse! Talk about that venture and how it turned out.

I'm pretty happy with how it turned out. I think it was as weird as we intended it to be. The whole thing came about just because I was a fan of the show and wanted to do a crossover that made no sense. Think we accomplished that.


At the San Diego Comic Con this year you announced another exciting chapter in The Goon saga – an animated Goon movie! Talk about this project and how it came about, if you would.

Blur animation and David Fincher approached Dark Horse and I with the idea of an animated Goon film. We had one meeting with them and I said, "Sounds good to me." Since then we've been slowly getting all of our ducks in a row. Writing the script, production art, test animation, etc. At San Diego we showed off a test short and pretty much started our pitch to the studios.


You have some amazing actors in this movie too. Tell my readers who are playing the leads in your movie.

Clancy Brown will be voicing the Goon, and Paul Giamatti will be voicing Franky.


Did you get to meet Clancy or Paul yet?

Yeah, I was there at the recording sessions for the test animation. And Paul made a surprise appearance at our panel at comic-con.

So where can folks go on the web to see the trailer for The Goon?

Pretty sure it's floating around youtube, but you can see it at the DH entertainment website. http://www.dhentertainment.com/


Think there’ll ever be a live action Goon, and who would be your dream director?

I don't know, i'd have to be pretty lucky to have the character be successful enough to get an animated film AND a live action film. But I don't think David Fincher or Frank Darabont would do such a bad job.



Any idea when the movie will be completed, if it’ll get any theatrical release? I just have to say if you do have a screening in Nashville it would be pretty awesome if you brought Calabrese or Ghoultown back to play again, too. I’m just sayin…!

No release date yet. It will be a theatrical release.


I watch The Big Bang theory pretty regularly and always get a smile on my face whenever I see your Goon poster at the comic book shop. Someone on that show must be a big fan of your work.

Or they just plaster the set with random comic stuff. :)


There has been a ton of merchandise made of the Goon, from action figures and busts to t-shirts and buttons and everything in between… do you have copies of all that stuff, and if so where do you keep it?

I try to keep one copy at least. It just piles up on the shelves in my office.


Got your Eisners displayed proudly?

Yeah, there on a shelf, too.




Ok – fun question. You’re obviously a fan of horror movies.
Name five of your favorite horror films.

Uhm, that's hard...

The Exorcist
The Shining
Bride of Frankenstein
The Old Dark House
The Changeling (the George C. Scott movie, not the Clint Eastwood movie. Which is good, too, though.)


Thanks again for spending some time talking with me, Eric. Congrats on all the success of the Goon – not bad for a Middle Tennessee boy! Here’s to the next decade and bigger and better things – (including the live action Goon I still think would be amazing!

To Find out more about Eric and keep up with all things Goon in nature, go to:
http://www.thegoon.com


Sunday, March 7

Happy Birthday Eric Powell

Just like to wish a Happy Birthday to my buddy Eric Powell, creator of The Goon and all around great guy. here's to ya!

Sunday, February 28

Ghoultown tribute to Elvira, Mistress of the Dark

Cowpunk.   Hellbilly.  Psychobilly. Take your pick – but whatever term you use to describe Ghoultown one thing is certain – they will rock your cowboy boots off.


I first got in contact with Count Lyle, lead singer of Ghoultown, through the internet sometime around early 2000. Their video for the song “Killer in Texas” was one of the very first music videos I ever showed on Chiller Cinema.  It is a sepia toned rocker about a crazed Texas serial killer, full of gory imagery and busty babes. Needless to say I loved it and played the hell outta it!




I finally had a chance to finally meet the ghouls of Ghoultown in the flesh this past summer. They came to Nashville for Eric Powell’s Goon show, along with Calabrese and local act The Protomen. I am happy to say that Count Lyle, Ghoulette Sandy, and all the guys from Ghoultown was every bit as friendly in person as he had been over the internet, if not more so. We really clicked and got along as if we’d been friends our entire life. The rest of the band was equally nice, and let me tell you, they put on one heckuva live show!



The band was dressed head to toe in authentic cowboy attire – hats, boots, vests and attitude. They played to a packed house at the Cannery Ballroom, and let me tell you, that place is BIG. The crowd was going crazy and shot after shot of tequila was bought and passed onstage for the band! I don’t know how they could keep track of what they were doing with that much firewater coursing through their system, but it was one of the tightest sets I’ve ever seen. If Ghoultown ever passes through this way again, you can guaran-damn-tee  I’ll be there!

Most recently Ghoultown has put out a CD/DVD combo that’d make any red blooded American male stand at attention and drool in delight. It is called Mistress of the Dark and it’s a tribute project for the one and only hostess with the mostest, Elvira! The guys were invited to write and perform a new theme song for the mistress of the macabre, and shot a music video for the song featuring Elvira, too.

Mistress of the Dark is a limited edition special DVD (only 2000 copies). It features a music video for the song “Elvira” by Ghoultown, a making of the video featurette, a storyboard to video special and an episode of the Har Har show featuring Ghoultown. The Har Har show is a take off on the Hee Haw show-in the music video Ghoultown is performing on the Har har showwhen they play the song, Elvira. They expanded this and included it as an extra on the dvd!


The CD has 6 tracks including 3 mixes of the Mistress of the Dark, a new version of Return of the Living Dead (one of my favorite Ghoultown tunes), and the new songs My Halloween and Drink with the Living Dead. This is definitely one DVD/CD that is well worth picking up, and should be an instant collector’s item, too.
To get yours go to www.ghoultown.com/music.htm and tell em’ Doc Gangrene sent ya!





Wednesday, February 10

Calabrese

The band Calabrese have a new album coming out March 20 - Calabrese is one of the coolest horror punk bands around. I got a chance to see them this past year at Eric Powell's (creator of The Goon) birthday bash - the guy knew how to throw a birthday party - he rented the Cannery and brought in Calabrese and Ghoultown, two of my very favorite bands. Eric and I go way back - back before I was doing this gig as a horror host I used to work in the comic book field, and one of the first folks I had the pleasure of working with was Eric on an anthology I published, alongside my business and creative partner Chuck Angell, called Best Cellars.

Anyway, the new Calabrese cd is called Calabrese III - They call us Death. You'll be able to order it off their website and they're even taking preorders now. Go get yours today and tell em' Dr. Gangrene sent ya... and by the way, it even has a cover by Eric Powell on it. Way cool!

Here's the music video for one of my favorite songs of theirs - Voices of the Dead. Rock on!