Showing posts with label Stuart feedback Andrews. Show all posts
Showing posts with label Stuart feedback Andrews. Show all posts

Wednesday, August 20

Farewell to THE RUE MORGUE PODCAST




They say all good things must come to an end- and if there’s one thing I’ve learned over the past few years it’s to enjoy the good things while they’re here, because they won’t last forever. So it is with much sadness that I bid a fond farewell to the RUE MORGUE PODCAST.

It seems like only yesterday that I wrote a very similar post bidding farewell to the previous incarnation of this audio podcast, RUE MORGUE RADIO.   THAT show was a variety show of interviews, reviews, commentary and music of all genres, all brilliantly woven together by the talented Tomb Dragomir, who I interviewed here. It was a fantastically popular podcast (and perennial Rondo Award Winner) that was ended for budgetary reasons by RUE MORGUE MAGAZINE  in February of 2012.   
RMR was discontinued, but in its stead rose THE RUE MORGUE PODCAST. I wrote an article about the new RMpodcast here back in Feb of 2012.  Hosted by Stuart Feedback Andrews (and occasionally side-kick Last Chance Lance), the Rue Morgue Podcast featured interviews with directors, actors, and artists from the horror community, as well as contests, commentaries, music and more. It was always entertaining and one I looked forward to regularly. 
Feedback's interviews were always interesting and insightful…and influential, as a horde of imitators follow in his footsteps.  He was a true innovator of horror talk radio - and a true champion of Women In Horror Month, and I think his show played a big part in helping to spread WIHM's message.
169 episodes later Rue Morgue comes to an unfortunate end – but rather than end this post on a down note, I’d like to congratulate Feedback on the many hours of entertainment he’s provided, and the legacy he’s left behind.

So to Feedback, and The Rue Morgue Podcast, I salute you. I hope you continue to produce more podcasts, Feedback - especially Cinephobia-radio, your side project/podcast of which I'm a big fan.


Listen to my interview with Feedback here

Thursday, August 30

Savage Naked Spitting on Graves


Stuart Feedback Andrews left a comment yesterday in regard to my post about comments the Gore-Met made on the Rue Morgue Podcast that kind of got me thinking. He suggested I have a listen to a show from the Rue Morgue vaults wherein they discussed the films SAVAGE VENGEANCE, NAKED VENGEANCE, and I SPIT ON YOUR GRAVE.  “Have a listen to that SAVAGE VENGEANCE show for some of my thoughts about women highlighting their sexuality as they very much echo some of the comments you've made here.

Well I actually listened to that episode back when he first posted it, but really didn’t remember it very well so I downloaded and gave it another listen. His co-host for that evening was Andrea Subisatti, who is a terrific guest host. She’s a very interesting person -  a writer, sociologist… and roller girl! Check out her website here: http://www.ladyhellbat.com/ She wrote a book called WHEN THERE’S NO MORE ROOM IN HELL: THE SOCIOLOGY OF THE LIVING DEAD which discusses the social impact of zombie cinema. Feedback had her on the podcast to help shed insight into these films and also, I think, to get a female perspective on them, which is important considering the subject matter.

All three of these films deal with the subject of violent rape and revenge. As they talk about in the podcast, I SPIT ON YOUR GRAVE was released in 1978, NAKED VENGEANCE in 1985, and SAVAGE VENGEANCE in 1993. NAKED VENGEANCE was a pseudo remake of I SPIT ON YOUR GRAVE and SAVAGE VENGEANCE was a sort of unauthorized sequel to it. And, finally, I SPIT ON YOUR GRAVE was remade in 2012.

Whew! That’s a lot of remakes and re-imaginings of a little film from 1978 made for just 650,000 (according to IMDB). You have to wonder if the filmmakers had any idea they were creating something that would be this long lasting.  There is a whole sub-genre of rape-revenge films, of which of course ISOYG is considered one of the major players.




The interesting thing about all of these movies, from a personal standpoint, is that I’ve never seen any of them. I was aware of ISOYG and have seen that box cover a million times at video stores but never picked it up. I wasn’t aware of the other films until I heard them discussed on the Rue Morgue podcast, and I haven’t seen the 2010 remake either. Why is that?

I just honestly have never had any interest in I SPIT ON YOUR GRAVE.  It isn’t the type movie I usually gravitate toward. I also haven’t seen LAST HOUSE ON THE LEFT, another rape-revenge movie (the first?) and another film that was, interestingly, remade recently. These are tough films with equally tough subject matter, definitely not fun films. I’ve listened to several podcasts discussing ISOYG since the remake came out. There is social relevance within these films but I just don’t think I care to watch it.

Rape is a horrible crime, and if you’ve ever known anyone who has experienced it you know just how devastating it is. It isn’t funny, isn’t sexy, isn’t something to be taken lightly. I just don’t enjoy films that are that grim in nature, even if there is a revenge element to it. It sometimes makes me wonder if I’m even really a horror fan or not. I love a good monster movie – give me zombies, vampires, ghosts, werewolves, aliens – you name it, I’m there. But the worst monster of all, humans, might be my least favorite.

Films featuring violent sexual degradation just don’t interest me. The definition of degradation is, “the act of humiliating somebody, causing him or her a loss of status, reputation, or self-esteem.” This is why the recent wave of violent films is called torture porn. They’re going beyond just showing violent acts to featuring scenes of torture and degradation, violently humiliating victims and wallowing in their pain and misery. It’s almost as if they gain some sexual satisfaction from it, the more violent the act the bigger the orgasm.  They’re imitating snuff films, more or less, reveling in every gory detail and getting off on the victims pain. And that, to me, isn’t fun. And neither is an extended ten minute rape scene.

It’s interesting to hear Stuart and Andrea calmly discuss the realism, or lack of realism, of the rape scenes in these films. In a way, it’s almost surreal. I understand that this is a work of art that is being dissected, and that is just one part of that art, but it’s a significant element. Do films like LAST HOUSE ON THE LEFT and I SPIT ON YOUR GRAVE wallow in the sexual depravity? To some extent I think they do. Again, having not watched them I’m sure people will cry foul. I’m not saying there isn’t a place for them, or that it is a topic that should be taboo. It just isn’t necessarily for me.

Monday, August 27

Stupid Costumes and Bad Jokes


I just finished listening to the latest episode of the Rue-Morgue Podcast and was kind of left feeling insulted afterward. The Rue Morgue Podcast is, of course, the podcast that endured after long running Rue Morgue Radio was cancelled. It features Stuart Feedback Andrews interviewing celebrities and figures in the field of horror. In this latest episode he spoke with Rue Morgue film critic the Gore-Met, who has a regular column in the magazine specializing in gory horror movies. The interview was a lengthy one so it was actually broken into two sections, and it was in part two that Gore-met made a comment I took offense to.

In part two Stuart took the Gore-Met to task for a series of comments he made regarding Women in Horror Month on the Rue Morgue blog that many felt were insensitive and offensive. Feedback was a little easy on him, truth be told. The Gore-Met offered up a lame excuse that those comments were made in jest, and it was all a joke, but I ain’t buying it. There was more than a little bit of personal opinion mixed in there to even make those remarks in the first place. And even if it WAS a joke it’s extremely insensitive to make those jokes at other peoples’ expense to begin with. I guarantee the women who read those posts, especially Lianne Spiderbaby, didn’t take it as a joke.

Speaking of Lianne Spiderbaby, it was a remark about her that led to the part of the podcast I drew offense to. The Gore-Met made a catty remark about women in negligee and high heels reviewing movies (Spiderbaby) which led to him talking about Elvira. Here’s the conversation, below:



( NOTE - I changed out this pic of Lianne Spiderbaby from the one I posted yesterday because this is probably a better representation of her - she's a movie reviewer, the others host horror movies. Different schtick, you know?)


Feedback: I want to actually get into that whole issue about sexualized images of women in horror, because I think that’s an important discussion to have, but not necessarily with you. (laughs)

The Gore-Met: Truth be told, the whole Elvira… the Katarina’s Midnight Movie thing that DVD companies have going on I think is thoroughly fucking insulting, and I don’t wanna look at that, I just want to see the movie. I don’t want to have to ogle the wrestling diva for five minutes before the movie, what the fuck is she doing there? What’s the significance of it, get out of the way.

Feedback: You don’t like Elvira?

The Gore-Met: She seems like a nice person but that whole horror host shtick… I don’t like when guys do it either. I used to watch that when I was a kid, I don’t care about it anymore. You know just get out of the way. Again, it’s somebody trying to make money and promote themselves off the back of the work of others. You could say that about us, too… but I think we’re presenting something of value more than just putting on a stupid costume and making a few bad jokes.





Ok, a few things going on here. First and foremost is the slam toward Elvira, Katarina (I think he means Katarina’s Nightmare Theater)and Lianne Spiderbaby. The Gore-Met really seems to have an issue with attractive women in the horror field who dress provocatively. Perhaps it’s an insecurity thing, but more likely it’s simply a male chauvinistic one. More than once he mentioned going to a strip club on the podcast. Perhaps it is the fact these women aren’t presented in the correct context for Mr. Gore-Met - maybe he is simply more comfortable with them when presented as sexual objects, or maybe the mixture of sexuality and authority unnerves him.


Elvira and Katarinna are “fucking insulting” to him, and he doesn’t want to have to ogle the wrestling diva for five minutes before getting to the movie. Fine. Don’t buy a copy of the film with her on it. Not a big problem. But perhaps the deeper issue is, again, why does this make you so uncomfortable? And why when you watch it do you feel you’re ogling her?



Next he goes on to say he doesn’t like it when men host horror movies either. Fair enough, it isn’t everyone’s bag, I get that. He feels the hosts should get out of the way so the viewers can get on to the film. I get that too. I feel the same way about Mystery Science Theater, so I don’t watch versions of movies with their treatment. Copies of these movies are readily available un-hosted and in many cases, like the MST discs, you can choose to watch with or without the host segments. No problem there.

He mentions he used to watch horror hosts as a kid but he doesn’t care about that anymore. Fine. Don’t buy it. But a lot of other folks do care about it, including many kids. I think that was meant more as a derisive comment than anything else. Horror hosts are too juvenile for the Gore-Met’s refined tastes therefore it doesn’t have merit. Hey, I have news for you, Gore-Met, despite what you may think, just because you don’t like something doesn’t make it bad.

He finally reaches the part of this that I take most offense to when he says horror hosts are simply “somebody trying to make money and promote themselves off the back of the work of others.” He does go on to say, “You could say that about us, too… but I think we’re presenting something of value more than just putting on a stupid costume and making a few bad jokes.”

Seriously, Gore-Met? What an arrogant statement. But then arrogance seems to be a pretty common trait among most critics. As I said in a comment on the Rue Morgue blog, if you don’t like horror hosts that’s fine but don’t act like your own work is somehow better than what we do, especially when compared to someone like Elvira, a beautiful, talented, funny, strong woman who is internationally famous through years of hard work as a writer, producer, and actor. She wrote those Elvira films as well as many of the shows themselves. She earned her place in horror history and definitely offers much more than a few bad jokes.


I personally spend countless hours researching, writing, shooting and editing my segments to make them as entertaining and informative as possible. I have had many young folks come up and tell me they grew up watching my show and want to thank me for getting them into horror. I feel it is a service I provide, in a way, helping to keep the memories of these shows and the people who made them alive in the public consciousness. My philosophy was always to never assume the viewer already knew something. In other words, I would mention that Boris Karloff played the Frankenstein Monster, or Lon Chaney played the Wolfman, facts that we as older horror movie viewers already know, but you know what? There are kids watching that DON’T already know these things. And I, as a “stupid costume wearing, bad joke telling” horror host have a way to reach these kids and introduce them to these wonderful classics.

Horror hosting is a time-honored tradition that a handful of us are trying to keep alive. I don’t simply do this for fame or money, there are much better ways to achieve both. In fact, for years I didn’t even take any merchandise with me to conventions. I found the shows much more enjoyable and it was much easier to gather interviews if I wasn’t chained to a table. Sure, I was missing out on sales but who cares? It isn’t about that. This is an artistic endeavor, a way to express myself that is fun and centered around one of my main interests, horror movies. I guarantee I spend way more than I make at this, in money and time. I only recently started getting a table at shows again, mainly because people kept asking me for new DVDs.

How is this any less noble a profession than what you do, which was admittedly started only because you wanted free swag? You get paid to write your opinions. Terrific. But the problem comes into play when critics start taking themselves too seriously. Of course their opinions are more important than everyone else’s, and of course they’re always right, and of course you offer more than someone in a stupid costume telling bad jokes because you’re the Gore-Met, fer Christ sakes! Just listen to how ridiculous that is. The Gore-Met. Why that’s as ridiculous a name as Elvira, or Lianne Spiderbaby, or Dr. Gangrene. That is a name worthy of someone wearing a stupid costume and telling bad jokes!

Tell you what, Gorey, if you get tired of spouting your opinion on gore films maybe you should consider hosting movies. You never know, you might just be a natural at it. But you probably won’t get as much free swag.