Showing posts with label Nashville. Show all posts
Showing posts with label Nashville. Show all posts

Tuesday, November 15

Goodbye Bookman/Bookwoman




The long-standing Nashville bookstore BOOKMAN/BOOKWOMAN is closing at the end of the year. I HATE to see another Nashville landmark fade away. I'm still reeling from the loss of the downtown GREAT ESCAPE, my favorite hangout growing up. Now Bookman, which has been in business for 20 years in its Hillsboro Village location, is closing.




I stopped by there yesterday and picked up a stack of used books - all at 50% off. I spoke with owner Larry Woods, who told me that the property owners are raising his rent 400%. FOUR HUNDRED PERCENT! You know what that means? It means they want to force him out, which is exactly what has happened. Larry said they considered moving into one half of the store, which currently occupies two buildings, but they ran the numbers and it just doesn't work. No kidding.


BUT, on the flip side of this story, in an article that ran in the TENNESEAN Newspaper yesterday, the owners of the building, Davis Cutlery, claim they did NOT raise the rent, and offered to let them stay there at the current rent. So who is telling the truth here? Something is not being reported in this story, it seems.


I do know one thing for sure though. The face of Nashville is changing rapidly, and I don't like it one bit. Everywhere you look there are shops closing, buildings being torn down, and apartments going up at an alarming rate. People are flooding into Nashville as it has become an "it" city, and the flavor that made it so great is rapidly evaporating. As a lifelong Nashvillian, born and raised here, I hate to see where it's headed.

Wednesday, December 9

Dr. Gangrene Live Show 4-26-02

I recently started revisiting some of the old live shows I did at the cable access station in Nashville TN. The one I'm featuring in this post is from April 26th, 2002. The cable access station had just opened shortly before this, and we were the first chow to broadcast LIVE from the new station. This was actually our second show, and featured a band called THE REVERBIANS and their awesome dancing robot, toy collector Michael Lester, writer Stephen J. Hill, and more!








Thursday, September 10

Big Developments at the Belcourt

Big news was announced today from my favorite theater, the historic Belcourt Theatre in Nashville. They will begin renovations starting in January to add a third screen, increase bathroom size, and update and repair the facility. The Belcourt is a building rich in Nashville history. It once housed the Grand Ole Opry. It has been in existence for 90 years, and is sorely in need of updates and repairs. The HVAC, plumbing, and electric all need updating, the structure needs repair, and the 1923 hall, the main screen, needs repair work. Most of all the bathrooms, which are notoriously small, currently are not wheelchair accessible. In addition to repairs, the outside of the building is getting a makeover.



Construction will begin in January, and the Belcourt will be completely closed for six months. They will not lose the parking lot - the new third screen, which will seat 45 people, will be located on the second floor. The second screen, the 1966 hall, will go from 366 seats to 254 seats.

Already on facebook there has been the predictable complaining and gnashing of teeth. look, people, change in inevitable. The place is in serious need of repair. Unfortunately nothing stays the same forever. If the Belcourt is to survive and thrive, it needs to be updated. This will make it a viable theater to be enjoyed for the next 90 years. The plan is to preserve as much of the existing look of the Belcourt as possible, including the arches above the current entrance. I for one am excited about the news, and happy for the Belcourt, which is one of the premiere indy theaters in the country and a true Nashville gem.


 Dr. Gangrene PSA shot in the Belcourt


Below is the press release below, spelling out in greater detail some of the changes that will be coming.  
Dear Belcourt friends,
This morning, we share some very exciting news for the Belcourt and its future. Today, we are publicly announcing the Belcourt Campaign, a $4.5 million fundraising effort to restore, refurbish and preserve our 90-year-old building.
It’s been over 50 years since any major work was done on the Belcourt’s building. Resources have certainly been devoted to our programming and our education and engagement work. We’ve invested in exhibition, with new seats, draping, carpeting, and aisle lighting—and the installation of 4K digital cinema projection systems in both halls. And again and again, we’ve patched and repaired old HVAC, plumbing systems and roof leaks (fixes that have been increasingly expensive). At the same time, however, audiences are growing for all our programming, membership is at an all-time high, and the Belcourt is recognized regionally and nationally.
Now, it is time to meet the responsibilities of caring for the Belcourt’s aging structure—and making sure this vital part of Nashville’s past can continue to serve film fans for decades to come. 
For example...
  • The theatre’s historic gem, the 1925 Hall, needs preservation and renovation—including the original proscenium arch and wooden fly loft.
  • Our restrooms. As you know firsthand, they’re too small. But even worse, they are inaccessible to our patrons who use wheelchairs. We must address that.
  • Given its age, the building lacks key accessibility and safety features—and core systems like HVAC and plumbing need replacement and upgrades.
  • A new 2nd floor classroom/meeting space and a small screening room are part of the plans. This flexible screening room (with seating capacity of about 45) will be outfitted with a digital projection system and used for public screenings—as well as Belcourt classes and education programs, private screenings, and test screenings for local filmmakers.
  • This plan will not change the Belcourt's current footprint or parking.
  •  
     

Tuesday, November 5

Interview with Horror Author Annie Walls


Nashville has really sorta become the “it” city of late – and why not, we've got it all – it's the home of country music and more country stars than you can shake a banjo at, a professional football team (Titans), a professional hockey team (Predators), our own regular TV series based in this city (Nashville) – and now the living dead have even found their way to Music City, courtesy of horror writer Annie Walls. I got a chance to sit down and chat with Annie recently about her books, writing, and more. I think you ghouls will dig it!



Dr. Gangrene - So tell me about your latest series of books, your zombie novels.



Annie – My zombie novels are dark fantasy. It’s a character driven series called the FAMISHED TRILOGY. The first one is called TAKING ON THE DEAD. I just published the second book, CONTROLLING THE DEAD. I just started revising the third one, LIVING WITH THE DEAD. It’s pretty highly anticipated by my readers, so it’s exciting.


 

Dr. Gangrene – So the response to the first two books has been good then?

Annie – Yes. I was quite surprised with how many people like my story.

Dr. Gangrene – So tell me a little more about the story – it’s a zombie apocalypse, right?

Annie – Yes, it’s set in Nashville, and it’s about a young woman who’s alone for four years and she comes across some circumstances and eventually heads out into the world to see how things are going. It’s just about her and how she’s adapting to the new world and all the people in it.

Doc G – So it takes place in Nashville, huh? Cool! Does the action ever end up in your home town, Murfreesboro (about 30 min South of Nashville), and will Nashville readers spot places and landmarks they recognize?

Annie - I should say, even though I do not mention Murfreesboro, it starts out there and later on, there's a Walmart scene. (laughs) Yes, lots of landmarks in Nashville. Although, my books aren't a survival handbook the story setting moves to New Orleans, Montana, to Arizona in the second book. And all over in the third.

Dr. Gangrene - So the zombie apocalypse has already occurred when the book starts.

Annie – Well, the prologue is her going through the zombie apocalypse. Then the first chapter starts four years later.

Doc G – Is it a giveaway to say what causes the zombies in your novels?

Annie – Yeah, a little bit. You don’t really know until around the end of the second book. But there’s clues and hints all through… Cause it’s her, she’s finding all this out.

Doc G – I see, we’re learning as she learns.

Annie – Yeah, you’re learning as she learns.

Doc G – So you mentioned to me the other day you like to write gore…

Annie – I do, I really like to get nasty (laughs).

Doc G – I was reading some of your reviews and some people felt they were heavy on the romance, which makes for an interesting combination, romance and gore.

Annie – Well, you know, it’s what people take out of it. There is a romantic element but that’s not the focus. Not at all. 

Doc G – Cool. So after you finish up this series, what’s next?

Annie – Well, I have a couple of series in the works. More dark fantasy, and I did write a quirky love story novel, but I don’t know if I’m going to publish that or not. It was just a spur of the moment write. But the series I will be publishing is a dystopian society story, and the main protagonist is a psychic. Lots more colorful characters with a gritty, raw feel. That’s what I like to write.

I also have a graphic design business, so it’s a balancing act. I just started graphic designing, and I do all my own graphics. I started doing it because it’s really, really expensive, and when you’re an indy author that’s an expense you have to take on, so I just learned to do it myself. Since then I’ve had other people ask, “Will you do my book cover, “ or, “Will you design my blog,” so it’s just taken off from there.

Doc Gangrene – I do really like your covers, they are really well designed.

Annie – Thank you.

Doc Gangrene – Is that something you're open to doing more of, designing covers for other authors.

Annie – Yes, I am open to that, it's just a matter of time management.



Doc G – Have you always been interested in writing?

Annie – Yes, I’ve been writing since I was really young, just little stories here and there, but I’ve never really thought to make that my actual dream. (laughs) It’s just something that came about a few years ago.

Doc G – Well, the Indy publishing scene has gotten to the point where it’s possible now.

Annie – Yes. It’s easy to publish, but the steps an Indy author should take are hard work. You really have to put a lot into it to be noticed. It’s the quality of writing, getting an editor and a copy editor, beta readers help… Indy authors have a bad rep for putting out low quality work because it is so easy to publish. It is a lot of work, but I like both sides of it, the promotion and the marketing, connecting with readers. It’s fun.

Doc G – How do you do connect with readers?

Annie – Social networking. I get all kinds of comments and emails and I respond to every one. Right now I can still do that, but it’s getting to a point where I can’t tell each reader apart, so it might change. But I’ll keep trying.

Doc G – That’s a good problem to have. Where can folks find you?

Annie – I’m on twitter, @theanniewalls - and facebook, and google plus. And my website mostly, www.anniewalls.com



Doc G – Do you do a newsletter?

Annie – Yes I do, not all the time. And you can subscribe to it through the website.

Doc G - So you just had the launch for the second novel?

Annie - I did. I’m going through my book blog tour now, where all these blogs read my book or do an interview or something. And I have a big giveaway going on for a signed copy of Controlling the Dead. I’m putting together a Famished trilogy inspired “Zombie Survival Kit”(laughs).


 Doc G – Cool!

Annie – Yeah, that’s really been fun to do. I just got these little soaps in the mail – zombie repellent! It smells really good, I shoulda got myself some! It actually repels insects too. It’s just a little kit that I’m throwing together and you can win in a giveaway.

Doc G – That kind of stuff is thinking outside the box, and that’s what you’ve gotta do.

Annie – You do, you really have to step outside the box, for sure.

Doc G - When do you find time to write? Are you a morning person or…

Annie – I write whenever it’s there. I can’t force myself to write. It could be anytime of the day. I’ve gotten up in the middle of the night to write, and I’ve stayed up for a few days in a row to write. It comes and goes. There’s also been like a month and a half where I didn’t write at all. But I think everyone is different in that way. 

Doc G – Definitely. So, getting back to the zombie books, when do you think the third one will come out?

Annie – I wrote all of these within a matter of months and I’ve learned so much about writing and my writing has dramatically improved, so the revision stage is gruesome. When I wrote the trilogy it was in past tense, and I’m switching it to present tense. The third book is 130,000 words, (laughs), so it’s gonna take a little while, but hopefully before next summer (2014).

Doc G – Since it’s so long, is there any chance it could expand to a fourth as you’re writing it?

Annie – Oh no, no. A trilogy is a trilogy – I’m sticking by that. It’s gonna conclude… the end. 

Doc G – Then on to something else.

Annie – Yeah, with the big blowup of the zombie thing, truthfully, I’m kind of tired of zombies! I’m ready to move on. There’s only so many ways you can kill a zombie and have it be entertaining (laughs). I’ve been a zombie fan since I knew what zombies were, but now that everyone is all “zombie, zombie, zombie” I’m kind of burned out. 

Doc G – I get that. Well thanks for chatting with me Annie, and I wish you all the best with your books. Be sure to let me know if I can ever help you with anything.

Annie – Will do and thanks!


 You can order Annie's books off Amazon here:
http://www.amazon.com/Annie-Walls/e/B009F0UQZK/ref=sr_ntt_srch_lnk_1?qid=1383654151&sr=8-1

And, as a special bonus, Annie has graciously shared an excerpt from her book, the afore -mentioned Walmart scene - Enjoy!

* * * * * * * *

    The sun shines brightly, which means there are no signs of famished as the van pulls in the Wal-Mart Supercenter parking lot, empty of cars. Not a single one. Old scorch marks adorn the lot from body disposal. Litter blows all over like leaves in the fall. Reece, Mac, and I glance at each other. Usually, places like this show more signs of outbreak panic. I’m surprised at this because I’ve always avoided where there could be many zombies in one place. Reece drives by the entrances; both doors are wide open with no visible movement inside the store. He backs the van into an entrance as far as he can go.
Being parked inside of a Wal-Mart has potential for some comic relief.
My mouth opens to crack a joke until Reece says, “Mac, you take medical supplies. Kan, you go look for any camping gear you can find. I’ll take household items and hardware.” His voice is all business and commanding, now that we’re here.
Sunlight bounces off Reece's tattooed bald head and causes a double glare in his sunglasses. His leather vest squeaks as he opens his door. “Keep alert.” Mac and I nod, getting out.
Since the air is warmer in here than outside, Mac pulls his red hoodie off, throwing it in the back. I almost leave my jacket in the van, but slide on my battered army pack taking stock of myself. My machete hangs from its normal spot on the right side of the pack – the Bersas and a hunting knife adorn my belt.
I take a deep breath through my nostrils, making out a faint trace of decay from the living dead with a strange, bitter stench. We stand in a row listening for any sounds of lurking zombies.
“Smell it?” I whisper, glancing to Mac. His brows draw together, and his bottom lip sticks out as his tongue runs across the inside of it rapidly. I can see him perfectly in the light of the open glass doors, sandy blond curls puff up on one side as if he had run a hand through it. His white T-shirt seems extra bright.
Blue eyes search around intently before stopping at me, burning bright as he flashes me a smile and tugs on one of my long dreads. “Nothing to worry about. It’s not strong and it’s warm in here. Not an ideal place for the undead,” he reassures me.
I return the smile before letting my gaze seek movement. Light coming in through the doors illuminates enough to make out aisles. The darkened shadows seem to drift outward as I watch. Mac claps his hands and the sounds echoes.
While we wait, Reece walks a few feet away searching down the closer aisles. A croaked moan cuts through my awareness seeming to bounce from walls to rafters. I freeze at the sound as the hair on my arms stand on end. A thick slithering comes from between the cash registers. Clearly in no immediate danger, I walk toward the sound without another thought. I can’t see what it is from the darkened area.
“Hey,” Mac says quietly close to my ear as he moves to stand in front of me, before clicking on a small flash-light. I pull my gun as I catch sight of what lays in the flashlight beam. I slide back the rail with ease, silently chambering a bullet.
“Don’t waste your ammo,” he says as the light flashes the length of the zombie on the smooth, tiled floor.
It looks up at us with eyes filmed over a milky color, but darkened black with settled blood. With all of its hair still intact, skin sags around his eyes and jaw. One arm reaches out toward us, clawing the air. A few of his cracked fingernails have already fallen off. The bottom half is nothing but gnawed bones with hanging nerves. Thickened blood smears the floor beneath him, leaving a trail from where he had been dragging himself. With the other arm completely missing, the flailing one has a huge bag strapped around the shoulder with a few ripped strips of a faded black shirt sleeve.
“Holy shit!” Reece breathes, approaching from behind. “Damned thing is ugly. Might be the source of the smell.”
I doubt it. It’s not old enough for the decayed smell in the air. Judging from how rapidly he can move his arm, if he had legs he would be able to run.
Mac hands me the flashlight. “He was hanging onto that bag for dear life,” he observes, bending over with a knife. The famished’s hand grabs at him. Mac automatically steps on it as if it’s a pesky cockroach. Holding the arm down with his combat boot, Mac slits the bag open. I shine the light on its contents. Liters of rubbing alcohol and dozens of boxes of cold medicine spill out.
Mac scoffs in unison with Reece. I say, “Someone must have been sick.” Reece holds back a snort of amusement. I glance at him sharply. “What the hell is so funny?” He only raises his bushy eye-brows. I must be missing the obvious.
“No one was sick. This dude was going to cook meth. Explains the weird smell. Might be why he is so hyped for an older zombie,” Mac explains as he straightens, stomping his boot to the famished’s head. “Fucking redneck.” Disgust oozes from his tone as the zombie wiggles. He stomps again, this time a crunch sounds, splattering fresh gore. Specks of it hit my jeans.
I cock an eyebrow at Mac crossing my arms. “And you aren’t?” I joke.
He smirks, “Okay, backwoods redneck.”
I nod as though I approve.
Reece sighs warily, not trusting this location. “Let’s finish in here.”
Sticking the gun in the front of my jeans, I make my way to the back where the sporting goods section is located. The place has been looted. People looted for anything they could carry. I doubt I’ll find ammunition here. Getting closer to the back, the rank smell thickens. It’s also gotten darker, but I still have Mac’s small flashlight in my back pocket.
My eyes widen as I realize there are aisle racks moved around; arranged to make up separate rooms. Judging by all the garbage and sleeping bags, someone lived here, and by the way it stinks, for some time. I notice more empty bottles and cold medicine packaging. Mac was right. The pre-zombie had been cooking meth. Everything that I came for has been used at some point. The blankets are soiled and reek of the unknown. The only question that remains is where are the other occupants? I assume they escaped an attack.
A shuffle sounds in the next aisle. I freeze as a groan floats down my own aisle, sending goose bumps up the back of my neck. I turn to see an old one turning down my aisle at the very end. Excitement surges, and I start walking closer to it when several more turn into the aisle.
I stop to watch as they walk jerkily slow. The first one’s head cocks to one side as if curious about me. It reminds me of a dog waiting on a treat. This one had been a woman, the hair a gangly mess of missing chunks. Her skin, still bluish in color, would soon turn green and textured. This might be a good time to try a Molotov. Knowing the risks, I pull a jar out of my pack, stabbing a slit in the top with the hunting knife before re-sheathing it in my belt, and then dip the cloth to thread it through the slit. A few twists of the cap, and I light the rag with a lighter.
Tossing it to the floor in front of the putrid, the glass busts, making the moonshine splatter and catch fire instantly. The flame spreads on the floor and up the putrid’s body in a licking wave as it follows fumes, spills, and splatters.
Blinking at the flaming zombie, I note it slows them considerably as its skin melts in front of me. Time to get out of here before the burning smell hits me.
A snarl erupts from behind me before I am slammed in the back, falling forward to the floor. A frustrated grunt escapes me when I catch myself on my knee as pain splinters through it. My huge pack smacks me in the head, but keeps the famished from getting a lock on me.
Holding myself up with my arm, I kick out, scrambling away from the zombie. When I get myself turned around, the famished is on top of me again. We fall, with me on my back, awkwardly because of my pack, as I hold the famished away from me by its neck, and the machete clangs on the floor. The zombie’s hand entangles in my dreadlocks. My scalp feels like it’s ripping from my skull. I yelp, feeling its clammy skin almost to the point of slimy. Trying not to cringe away from it as thick drool drips down my neck from its mouth, I use all my strength trying to keep it away from me.
There’s another inhuman snarl, and I know at least one more comes for me. The fire from the flaming zombie gives me enough light as the second zombie tumbles into me from the side. Throwing my elbow at it, I knock it away.
The first zombie’s mouth snaps way too close to my face as I grapple with my gun in my left hand. Pulling the trigger, I get a clean shot to the head, turning my head before the gore shower sprays me. The shot still resonates in my ear as the stench of burning putrid becomes thick in my throat, tasting of foul death.
Gunshots echo from the other direction. Reece and Mac. The zombie wastes no time jumping on top of me, but not before I put my feet in the air bending at my knees. Aches spring in my joints with the weight of it. It’s breath smells like rotten meat and soured blood, which brings on a bout of nausea as I swallow the extra saliva, threatening to help release  the contents of my stomach. Stained black teeth bite the air in front of me as I push up with both legs with all my strength. Having the desired effect, the zombie disappears sideways as I kick it – able to aim my gun at it immediately, squeezing the trigger.
 The zombie torch reaches me, a keening sound coming from its throat. I kick myself away from the already dead famished, easily surfing backward from the slick zombie blood. One shot to its head, and it slumps on top of the dead zombie, still on fire. Standing up, smoke fills my lungs, and I put my hands on my knees, trying not to hack.
When I’m able to gulp air, relief washes through me in a strong tide, bringing exhaustion with it, but I still have an aisle of slow zombies coming at me. Their scuffling sounds ten times louder now that my famished brawl is over.
An explosion drowns out the putrid parade, then another right after. The double sounds boom inside my ears, causing instant pain, and shake the building violently. They are going to bring the Wal-Mart tumbling down on top of us, all the while making us deaf.
I cover my head and ears as debris flies all over me. Some of the zombie have fallen over from the explosions, making it smell like burnt cheese mixed in a used restroom toilet. I don’t have time to worry about Mac and Reece, I just have to get to them.
I turn to run in the other direction, slipping on blood, and my boot squeaks on the slick floor. I catch myself on a rack, my right arm windmilling. The rack tilts slightly, causing items on it to tumble down onto me and crash to the floor. Luckily, nothing hurts. It’s either that or my adrenaline keeps me from feeling it. Regaining my balance, I let go of the rack in order to keep running. The rack smashes down behind me.
Coming around a corner, I smack into a body, and strong hands grab my arms. “Kan!” It’s Mac. His stark white shirt glows from the fire, and it reflects in his wide eyes.
“Shit! Famished all over. We need to leave!” I shout the obvious, my hearing still filled with static.
He pushes me out of the way. “Yeah, I know,” he shouts back, pulling his gun to fire rounds into the aisle I just emerged from. His shots make my ears ring all the more. I think he just wants to shoot something.
“You’re wasting bullets! Will you give my ears a rest? They are going to start bleeding!” I shout some more.
“Whhuuut?” He yells, mocking me by cupping a hand around his ear. Smiling at his joke, he grabs my arm. “Let’s go,” he says urgently. We look around every aisle while hurrying to the van.
Mac shoots more on the way out. I ignore them as long as they aren’t in our way. Reece has already started the van and waits on us. We jump in, and before we can even get the door closed, he peels out of Wal-Mart. I fall back against the seat, knowing I needed this trip. I needed the reminder. I'm getting too comfortable, which is a mistake that will eventually bite me in the ass. I know it.

Wednesday, July 31

Horror Hootenanny 10

It's coming again, Dr Gangrene's Horror Hootenanny!!



The TENTH annual shock n roll event takes place Sat Oct 5th at THE END in Nashville TN - check out the podcast at the top of the page for a sampler of the mayhem we're bringing to Nash-evil this October, with special guests THE KOFFIN KATS, Dead Dick Hammer, The Creeping Cruds, and Alucard! This is a Halloween shindig, so wear those costumes and get a discount on admission!!

More info coming soon!!



Wednesday, May 9

Humphrey the Hunchback, 1990s Nashville Horror Host



Humphrey the Hunchback
"TheWNAB Saturday Night Horror Movie," 
later called "Frightmare Theater".
Saturday nights at 10 p.m., 
opposite Saturday Night Live.


Humphrey the Hunchback was played by actor Barry McAlister on Nashville's WNAB, Ch58.  Barry's show ran for close to two years, from 1994 - 1996, until the station eventually made the decision to pull all their local programming. I got the chance to talk to Barry and he described the show to me a bit:

"I did my show for about two years before they decided to stop doing
any local production at all. The station put the word out that they were
looking for someone to be host. At the time I had a manager for my acting
endeavors and she knew right away the opportunity was for me! I had created
the character of Humphry for a KT Oslin video a few years earlier and I am
an Improvisational comedian. So I shot a tape at Two Rivers Mansion and got
the gig!

I was all comedy based and mostly improvised. I had facts and info.
about the actors, the director and the film, plus other works the players
had done. But I improvised and did physical bits all around the
information. I never, ever got to see the films ahead of time.
I had a puppet of a small "creature" that I used off and on. He
spoke in a garbled gibberish only I could understand (I did ventriloquism
with him). Then toward the end I had a puppeteer friend who brought in with
his rat puppet. There was also a giant rubber spider named Renfield that
"dropped" in now and then.

The budget was almost nothing, and we shot everything in weird
places. We couldn't use the studio (because they would have to rent it from
Speer Communications) so we shot in their mechanical room a lot. We did
cheat and get in a corner of a studio some. But the best stuff we shot in
Fort Nashborough downtown. There was a giant trap door and everything!"

Humphrey the Hunchback quick facts:
Humphrey the Hunchback - "TheWNAB Saturday Night Horror Movie," 
later called "Frightmare Theater"
WNAB-TV Channel 30 (Nashville, TN)

Movies hosted: "C.H.U.D.", 
"Jason Goes to Hell", 
"Piranha", "Halloween II"

Monday, May 7

The Count of Five - 1970s Nashville Horror Host

The Count of Five

Suspense Theater - Bob McGehee
WTVF CH5
Nashville, TN 1977-1982



Haunting the airwaves in the late seventies was Suspense Theater, hosted by The Count of Five. The Count was, of course, a vampire, and he appeared, appropriately enough, on WTVF Ch5. He was played by Bob McGehee, who worked at the station at the time. He had a co-host named Goro, who was a shirt-less monster, played by Stan Hunter. The two would do bits in breaks between the movie they would show, usually either a horror show or a suspense movie of some type, such as Sherlock Holmes.


Read Dr. Gangrene's in depth interview with the Count from Scary Monsters Magazine #79 here

visit the Count on Facebook here: http://www.facebook.com/countoffive

Wednesday, May 2

Sir Cecil Creape - 1970s Nashville Horror Host

Sir Cecil Creape
a.k.a. The Phantom of the Opry


Before starting his own venture into horror hosting Dr. Gangrene joined Sir Cecil's Ghoul Patrol, in 1974 in the Boy Scouts. It was part of his uniform then, and it is part of his uniform once again, on the mad doctor's lab coat!!





   
"Did Someone Call?"
Nashville's best known horror host,
Sir Cecil Creape, terrorized the
Nashville airwaves throughout the
early 70's and 80's.


CREATURE FEATURE
SIR CECIL CREAPE, aka THE PHANTOM OF THE OPRY was played by Russ McCown, and was perhaps Nashville's best known horror host. His show originated on WSMV, channel 4 Nashville, and was called Creature Feature. It aired on Saturday evenings, at 10:30pm and ran from 1971-1973. During that time Sir Cecil hosted a bevy of movies and always had lots of skits in between breaks. The set was a dungeon, with stone walls and fireplace which always had a picture of Floyd Kephart, local political analyst, on it.

In the 1980s Russ revived the character of Sir Cecil on a national stage on TNN, The Nashville Network, on cable TV. TNN would eventually become SpikeTV.

Sir Cecil Creape quick facts:

Creature Feature
Saturday, 10:30 p.m.
WSM-TV, Channel 4 (Nashville, Tennessee)
September 1971 - 1973

The Phantom of the Opry
?day afternoon
The Nashville Network (cable TNN)
(Nashville, Tennessee)
1983 - 1985


 

This is a picture of Sir Cecil that ran in the Showcase, the entertainment section of the Tennessean newspaper. The main picture is of Sir Cecil, and in the bottom corner is Russ McCown out of makeup.






Click Here to Read
Outre Magazine article on Sir Cecil Creape,
written by Chiller Cinema producer Larry Underwood
 "Good Night, Sleep Tight, and Don't Let the Beddie Bugs Bite!"


Wednesday, April 18

Dr. Lucifur, Tennessee's First Horror Host


This post is carried over from my old website, where I had a special page set up called The Vault, dedicated to the horror hosts of the great state of Tennessee. I thought I'd add that webpage onto the blog  here as well, so this is the first in a series of posts about the Tennessee hosts...




 Dr. Lucifer
Shock Theater - Ken Bramming
WSIX-TV8 (1958-1967)

 
 Nashville's first television horror movie host, Dr. Lucifer, hosted Shock Theater on Nashville's WSIX-TV8, which is now WKRN-TV2. Dr. Lucifer was played by Nashville radio broadcaster Ken Bramming. The show ran from November 1958 to April 1967, originally airing Friday nights at 10:15pm CST, and later moving to Saturday nights at 10:30. Bramming himself chose every movie, and edited them himself.

Dr Lucifer was by far the best dressed of all Nashville hosts, always appearing in white tie and tails, black tuxedo and flowing black cape. He wore an eye patch over his right eye and carried a long cigarette holder.










 

Dr. Lucifer, played by Ken Bramming, c. 1960




  

 
Ken Bramming out of character,
on the set at Shock Theater.
 Between 1958 and 1962 Shock Theater was rated number one in the Friday and later Saturday night timeslot. It even beat the Tonight Show on NBC.

After it's cancellation in 1967 Bramming took a radio announcing job, but re-emerged as Dr. Lucifer between Oct. 1968 and Nov. 1969 on WMCV-TV17, and independent station, to host weekend horror movies.

His final appearance as Dr Lucifer was on Creature Feature, hosted by another Nashville horror host, Sir Cecil Creape.
 
 Special thanks to Jeff Thompson, radio personality at WAMB AM in Nashville, and personal friend of Ken Bramming, for the help with this information. Much of it comes from his wonderful article for Filmfax magazine - Thanks Jeff.
 





Click HERE for an article celebrating the life of Ken Bramming
Click here to read an obituary for Ken Bramming on Nashville Scene Newspaper's website
 
 
 

DR. LUCIFUR: NASHVILLE TV’s
TASTEFUL TRANSYLVANIAN
FILMFAX MAGAZINE
by Jeff Thompson


“He was a very elegant gentleman who had been the president of Transylvania for the past two hundred years. He spent a lot of time looking down his nose at people.” This is how Nashville broadcaster Ken Bramming (1926-1997) fondly remembered his horrific alter-ego, Dr. Lucifur, Nashville’s first TV horror-movie host. Bramming, the sonorous-voiced television and radio personality, hosted Shock Theater on Nashville’s WSIX-TV 8 (now WKRN-TV 2, then and now an ABC affiliate) from November 1958 until April 1967. The show originally aired on Friday nights at 10:15 PM CST—“That was in the days of the fifteen-minute newscast,” Bramming remarked—and later moved to Saturday nights at 10:30. “We knew we’d get a young audience on those nights,” Bramming said. “We were aiming for the ten- to fourteen-year-olds, but their parents ended up watching the show with them and liking it as much as the kids!”

In the early months, Shock Theater opened with Modest Moussorgsky’s “Night on Bald Mountain” as its theme song and with Ken Bramming’s live, “straight-voice” (non-character-voice) announcement of that night’s movie. Shock Theater’s cinematic fare ranged from the classic Universal monster movies to the Sherlock Holmes and Mr. Moto mysteries to a few science-fiction titles. Bramming himself selected and prepared every film.

In the summer of 1959, seven months after Shock Theater’s debut, Bramming decided to liven up the show by adding a ghoulish on-camera host—played by himself. Bramming created the character of Dr. Lucifur from an amalgam of “Bela Lugosi’s Dracula, some of John Carradine’s characters, and some Vincent Price things.” Bramming’s Lucifur, who always appeared in black-and-white even if the night’s film was in color, was a striking figure. The dapper Transylvanian sported silver hair, a black eyepatch over his right eye, a Ming moustache, and a cigarette holder. He dressed elegantly in white tie and black tails and a flowing black cape, and he spoke with a Transylvanian accent. The “Night on Bald Mountain” theme soon was replaced by “Blues for Lucifur,” a jazzy electric-guitar melody composed and performed by Nashville musician Norm Cole. As the theme played, a wavy circle—“We called it the Mystic Circle,” Bramming explained—appeared on the TV screen and framed Dr. Lucifur, who walked into a pool of light near a lamppost. Fog swirled around the devilish doctor as he greeted the viewers and urged them to come with him on “these journeys into the worlds of mystery, the supernatural, fantasy, and the world beyond.” At the conclusion of the film, Dr. Lucifur reappeared, invited the viewers back next week, and (with “a wild laugh”) said, “Good night—and pleasant dreams!”

This atmospheric “intro and outro” featuring Bramming as Lucifur was on film; therefore, Bramming was free to appear as himself or as other characters in the five live breaks in the course of that night’s film. Dr. Lucifur rarely appeared on-camera in those five breaks although his rich voice was heard whenever the camera suddenly became Lucifur’s “eyes” and showed subjective shots of other people talking to “him” (the camera). Those people—or sometimes creatures!—who interacted with Lucifur and each other ranged from a demented grandmother and a comical beatnik to a wacky poet and a reanimated mummy. While Ken Bramming played Dr. Lucifur off-camera or a man-on-the-street interviewer on-camera, his several assistants portrayed Shock Theater’s other recurring characters.
“My top assistant,” Bramming recalled, “was Corky Savely, a mad genius who was still in high school at the time. He would dress up as a character named Granny Gruesome, who one night showed the viewers how to knit a sports car out of 1500 pounds of steel wool. Corky also dressed as Frantic Freddy the Hipster or Cyril Songbird the Poet—that one we stole directly from Ernie Kovacs!—and Corky would dress up like a mummy whenever we showed a mummy movie. Other characters were played by Herschell Martin and Richard Dixon, and Norm Fraser played the ‘infamous’ Baron Von Sloucho. We did crazy things, and the show had no time limit. Sometimes, our breaks in the movie lasted ten minutes!”
Except for Corky Savely’s mummy appearances and a few other tie-ins, Bramming and company’s live, ad-libbed routines during the movies were completely unrelated to the films. “We did take-offs of popular songs like ‘Monster Mash’ and ‘Tom Dooley,’ and we spoofed many TV commercials and TV series. We did a take-off of ‘The Loretta Young Show’ called ‘The Forever Young Show.’ Miss Forever Young’s famous doors were stuck, and she couldn’t get them open to make her entrance. We even did a take-off of ‘Batman’ when the TV show was popular—only we had [Nashville restaurateur] Mario Ferrari dressed as Batman and speaking Italian!”
An instance when Bramming appeared on-camera as Dr. Lucifur during the comical breaks in the movie occurred in the autumn of 1960. At the same time that New York TV horror-movie host Zacherley was running for President of the United States, Dr. Lucifur ran for re-election to the presidency of Transylvania. Having held the office for the past two centuries, the arrogant aristocrat figured that he was a shoo-in for re-election. However, in a last-minute upset, Lucifur’s opponent Granny Gruesome was elected instead!
These and many other zany stunts catapulted WSIX-TV’s Shock Theater through the ratings belfry. “Between 1958 and 1962,” Bramming revealed, “we were rated number one in Nashville in that Friday- or Saturday-night timeslot. We beat the ‘Tonight’ show on NBC and whatever was on CBS. Shock Theater was a family show. The movies weren’t really scary, and there was never any blood and gore in the movies or in our segments. I insisted on that. We were there to have fun. I never received any bad mail from parents. Instead, I got letters from parents telling me how much they liked watching the show with their kids. There were things for the adults to like, such as the jazz background music of our segments. I used nice things that the adults and I dug by people like [guitarist] Wes Montgomery, the Paul Smith Trio, and the Dave Brubeck Quartet.”
Ken Bramming and his campy compatriots accomplished their live routines with a minimum of sets and props. Dr. Lucifur’s lamppost regularly reappeared as a set dressing for Bramming’s man-on-the-street interviews with Frantic Freddy, Mrs. Moshe Gumora, the Poor Slob, and other characters. “We often used fog for background,” Bramming continued. “The crew at WSIX made a dry-ice fog machine for us. When we did a take-off on ‘Tom Dooley,’ we went into the next studio, where the wrestling ring was, and used one corner of the ring for Tom Dooley’s gallows. But our best set was the Purple Grotto, a purple, cave-like flat with a door in it. The door had bloody handprints on it. One night, the whole Purple Grotto flat fell forward in the middle of our skit! We were live, so there was nothing we could do. That reminds me of another blooper. I often would do live commercials as myself, and one of our sponsors was a man named Fred Mabius, who installed glass shower enclosures. I was standing next to a four-sided shower enclosure [and] doing a commercial for it when the thing fell over and shattered into a million pieces. I looked at the camera and said, ‘Now, friends, if Fred Mabius had installed it, that wouldn’t have happened.’ We quickly went back to the movie after that because the crew was breaking up!

“Television was brand-new,” Bramming continued, “and we did some funny things.” Sadly, because all of Bramming’s skits were performed live, no films or tapes of them exist. The only footage of Bramming as Lucifur is the black-and-white, filmed “intro and outro.”

By 1967, although Shock Theater’s ratings were still good, both Ken Bramming and WSIX-TV felt that the Saturday-night show had run its course. Bramming left WSIX and took a radio-announcing job, but Dr. Lucifur and the Mystic Circle were back on the air in Music City just a year-and-a-half later. Between October 1968 and November 1969, Bramming, as Lucifur, hosted a weekend horror movie on WMCV-TV 17, an independent station. When Channel 17 threw a Halloween party for children in October 1968, Ken Bramming and Corky Savely were on hand as Lucifur and the mummy. This was Dr. Lucifur’s third personal appearance: during the WSIX days, Bramming had appeared in costume at two Nashville department stores. “And the kids climbed all over me!” Bramming laughed.

After his Lucifur years, Ken Bramming re-connected with his horror roots when he served as the pre-recorded announcer for Creature Feature, a Saturday-night horror movie telecast on WSM-TV 4 (NBC) in the early 1970s. The host of Creature Feature was Sir Cecil Creape (Russ McCown, who went on to play the Phantom of the Opry on The Nashville Network). Bramming’s unmistakable voice at the beginning of Creature Feature provided a link between the two horror hosts as did Sir Cecil’s occasional mentioning of his friend Dr. Lucifur, thereby acknowledging that Nashville’s horror hosts existed in the same universe. Bramming even made one on-camera appearance as Lucifur in an episode of Creature Feature, which each week was scripted by WSM weatherman Pat Sajak, years before he too became a noted TV host.

Dr. Lucifur’s latter-day radio incarnations in the 1970s, 1980s, and 1990s included his voicing a safe-driving public-service announcement for the Tennessee Department of Safety (“Don’t spill your blood on the highway!”) and his annual resurrection on Halloween to host a broadcast of Orson Welles’s 1938 War of the Worlds radio drama on WAMB-AM 1200, Nashville’s big-band/easy-listening station. Bramming was the mid-day announcer and program director at WAMB from 1979 until 1997.

The first annual World Horror Convention was held in Nashville in 1991, and both Ken Bramming and Russ McCown were there. The horror hosts appeared together in a panel discussion about their years as Dr. Lucifur and Sir Cecil Creape, and each man re-created his character’s distinctive laugh for the delighted audience. The horror-hosts panel was a once-in-a-lifetime event, for McCown died several years later—and Bramming, a lifelong smoker, succumbed to lung cancer in mid-1997. In the late 1990s and continuing to the present, Dr. Gangrene (Larry Underwood), Nashville’s next great horror host, began keeping Lucifur and Creape alive by mentioning them on his award-winning horror-movie show, Chiller Cinema, later renamed Creature Feature, and on his Internet website.

Despite the passing of Ken Bramming, the immortal Dr. Lucifur lived again on Nashville television on Thanksgiving night 2003 and 2004. In 2003, WKRN-TV 2 celebrated its fiftieth anniversary with a documentary, an all-day Thanksgiving cornucopia of classic TV shows, and a new edition of Shock Theater. That night at 10:30, Dr. Lucifur once again strolled up to the lamppost and welcomed viewers before Channel 2 showed The Brain That Wouldn’t Die. On Thanksgiving night 2004, Dr. Lucifur’s “intro and outro” began and ended a telecast of House on Haunted Hill.

 
In October 2006, the independent documentary film American Scary premiered at the Hollywood Film Festival. American Scary traced the rich history of mid-century TV horror hosts, from Zacherley, Ghoulardi, and Vampira to Dr. Lucifur, Sir Cecil Creape, and Dr. Gangrene, and it revealed how the horror-host legacy lives on today through public-access television, video and DVD, and Internet websites. Although his innovative live skits now exist only in the fond memories of long-ago viewers, Dr. Lucifur, Nashville TV’s tasteful Transylvanian, will live forever.



Thursday, August 5

Horror Hootenanny 7

This year we are doing something a bit special - TWO Hootenannys!!

the First takes place Friday September 14th in Atlanta GA. Hosted by Rev Andy, the bands are Spookhand, The Creeping Cruds and Psychocharger!! This one is taking place in conjunction with the Atlanta zombie walk!! It's at a place called THE SHELTER - here's the poster...


The Second Hootenanny is the Horror Hootenanny #7, our annual horror show hosted by me. At the showaill be the same three bands - Spookhand, The Creeping Cruds and Psychocharger, plus local band Alucard.


So make plans now- those of you in the Atlanta area please help spread the word - this is gonna be one helluva show!!!

Wednesday, June 2

Werewolf attack - Uncensored!

While shooting our psas Sunday our werewolf got loose and ran on a rampage - it was awful. We had a camera on hand and caught the whole thing on video...


Monday, May 3

Nashville Monsoon

Couple of pics from my neighborhood...


Notice they are level to the TOP of the stop sign. They are on top of a truck. These kids were fortunately rescued. This was about 2 miles from my house.


I mentioned bad traffic earlier today - now I know why we were being diverted off the interstate. This is Vietnam Veterans Blvd, a highway/interstate I drive every day to and from work. It is completely submersed in one section - this is about a mile from my house.


It really was an amazing amount of rain in a very short period of time. Here is one of our local weathermen describing the oncoming storm in a way I REALLY don't think he meant to - yes, this is a bit juvenile, but c'mon - That's some funny stuff there!


One Weird Weekend...

You know what they say about the best laid plans of horror hosts and men… or, something like that. Seemed everything was screwy this weekend and nothing went as planned. It began with the torrential downpour of rain that caused flooding all over Middle TN, as I mentioned in a previous post. Fortunately Gangrene Manor is on a hill and the rain didn’t cause us too many problems.


BUT the rain did cause us to cancel the Spookhand gig we had at The Muse in Nashville. We were wise to cancel, however, as these were floods of biblical proportions. If you think I exaggerate, take a look at some of the pictures on Google; houses entirely underwater, cars submerged, and utility sheds floating away in the rapids.

Saturday’s broadcast of Creature Feature didn’t happen as planned either, I’m sad to report. There was something screwy about the master tape we turned in, and the station was unable to air it. What was strangest of all was the station’s choice of a replacement movie. They showed THEY CRAWL, a movie we hosted last fall and which I had originally mistakenly reported here as the film that would be airing Saturday – but this time it aired without our host bits. Very strange and I am not really certain what happened other than gremlins at the station were playing tricks.

Saturday evening the rains subsided and we braved the weather to take a trip to Target to buy a birthday present for my nephew. While there I stumbled across a true find – Season 1 AND 2 of TALES FROM THE CRYPT on DVD for nineteen dollars! I was happier than a vampire at a blood bank and quickly plunked down my cash and bought that baby. BUT, (and the way this post has gone you just knew there had to be a but, didn’t you) when I got home and opened up the DVD disc one of Season one was missing! No DVD, just an empty space where it was supposed to be.

Worse yet, I looked at the clock and it was already after 10pm by the time I got home and opened it, and the store had closed. I got up nice and early the next morning to find it pouring rain again, and to make matters even worse Target closed for the day due to flooded roads! Arrrgh!!

So this was one weekend I was glad to see go away. Traffic was hell this morning, as many roads were shut down due to flooding.  I will return my DVD tonight and get another, and take a look at the master tape of THE HOLLOW later this week to see just what the heck is going on with that damn movie. This is the second attempt to air that episode that has failed. I didn’t edit this one originally, so don’t know what the problem is. But I will find out.

Saturday, February 27

Sir Cecil Creape Outre Magazine Article

Thinking about Sir Cecil from my earlier post, I thought you guys might enjoy reading an article I wrote about him. This was originally published in Outre Magazine #21.




Sir Cecil Creape
by Larry Underwood
(originally published in Outre Magazine)

Nashville Tennessee is probably best known for country music and line dancing. But here in Music City there is much more to offer than just country music, even some things of interest those of us who thrive on horror and all things creepy (believe it or not there are some things to come out of Nashville that are even more frightening than Marty Stuart!).

During the seventies it seemed every city had its own version of ghoul that would entertain audiences once the sun went down. I'm speaking, of course, of those late night horror hosts, and the host that is perhaps best remembered by the populace of Nashville, TN is Sir Cecil Creape (pronounced Ses-cil Creep). Sir Cecil was played by Russ McCown, a film editor for WSMV, Channel 4 in Nashville. McCown had a long history of camera work and film editing - In fact, he was the person who shot the very first color commercial in Nashville in 1956.

Russ got the name of Sir Cecil from Cecil B. DeMille, the late great actor/director of such movies as "The Ten Commandments." Every Saturday evening at 10:30pm Creature Feature would air, and once more Sir Cecil would descend the stone staircase into his dungeon set to utter the words "Did someone call?" in his unmistakable droll. His show aired from 1970 through 1973 and influenced many a young viewer, including one young spook who is writing this article.

Sir Cecil was quite the character; Russ was a short, round little fellow, bald on top with just a bit of hair on the sides. He wore a dark blue cape with a huge purple collar and a chain mail tunic. He had a hump back and walked in a slow, lurching style, playing up to the physical characteristics of McCown. He had a large scar across his forehead and wore a monocle in one eye. He also wore a set of deformed teeth, a custom made denture set designed by his dentist. He always carried a strange looking lamp in one hand, one that was custom made for him by a friend who worked at Aladdin Industries. It was made from parts salvaged from various Aladdin Lamps. Russ described his character as "a cross between the hunchback of Notre Dame and Oliver Hardy."

The show achieved great popularity in the Nashville area, and many kids would stay up late at night to hear the creepy introduction to Creature Feature... "Each of us carries upon his shoulders this bony sarcophagus, the grinning face of death. Within it resides the human brain, encompassing within its pulsating grey mass the totality of the cosmic consciousness. What a delicate instrument; capable of thoughts of inexpressible beauty, but often enslaved in mindless terrors by monstrous horrors that the mind cannot fathom, and indeed, horrors that may not exist except within the bony confines of the human brain box. This is Creature Feature... exploring the realms of the unknown. And now, from deep within the catacombs beneath our studios, here is your master of terrormonies, Sir Cecil Creape."
What many fans didn't realize, however, is that there was more to that introduction than merely an atmospheric opening speech - it was actually read by none other than Ken Bramming, Nashville's first horror host, Dr. Lucifer. Ken and Russ were good friends, and when Russ started his show he asked Ken to voice the introduction, which he was happy to do. (Ken's voice is still heard on the Nashville airwaves each evening, even though Ken has passed away... He did a series of station IDs for WAMB 1040 am, which are still played late at night.)

The set for the Creature Feature was a dungeon that was supposedly deep beneath the studios of Channel 4. It had rock walls and a large bookshelf, on which rested a few books, a skull, and one very interesting article... a framed picture of Floyd Kephart, political analyst in Nashville during the seventies. For some reason Russ thought it was funny to have a picture of Floyd on the mantle, and would refer to Floyd from time to time with such jokes as "Suffering Kepharts," or "That is almost as frightening as Floyd Kephart." There was always a steady drip, drip, drip sound in the background of his shows.



Brenda Jordan, Programming Director for WSMV, used to be Sir Cecil's secretary and would help answer his fan mail. She recalls "One thing many people don't remember is that many of the scripts were actually written by Pat Sajack." That's right, Pat Sajack, THE Pat Sajack, as in The Wheel of Fortune, dabbled in horror long before he achieved fame as a game show host. He worked at WSMV at the time as a Booth Announcer and part-time weather man. And you thought The Wheel of Fortune was scary!

The show was filmed live and broadcast from a closed set. Sir Cecil would come out, introduce the film, perform little skits and show movies between breaks. The movies he showed were first rate films, such as "The Beast with Five Fingers" and Universal classics. He was a host with a great sense of humor, often laughing aloud at his own jokes in his silly broken laughter "Ah - ah - ah." One thing he always mentioned was his hatred of those cursed commercials, which he would hesitantly cut away for.

In 1973 the show had run it's course, but that was not to be the end of Sir Cecil. The good ghoul of Nashville would go on to host another show at TNN, a cable division of Opryland and Gaylord Entertainment. It was called "The Phantom of the Opry," and that would be the other moniker Sir Cecil would become known as. (His automobile even had a license plate that read "Phantom.") Once again donning the cape, tunic, monocle and teeth, Sir Cecil Creape hosted movies at TNN from September 1983 - 1985.

The intro showed Sir Cecil flinging open the doors of the Grand Ole Opry during a driving rainstorm, walking through the huge auditorium, crawling down a ladder into tunnels below and making his way through them to his set. This time the set was nowhere near as spooky, consisting of stucco walls, a flat wooden table, chandelier and bookcase. He did, however, still have a set of stairs he would enter through. The show was geared for a younger audience, and the scripts weren't nearly as entertaining, having lost the creepy edge of Creature Feature. He once again would break up the movies with skits, and continued his tirades against the advertisements. They filmed thirteen episodes of The Phantom of the Opry, during which Sir Cecil hosted mostly "B" movies such as "Monster Maker" and Roger Corman's "The Little Shop of Horrors."

The show ended in 1985 and Russ settled into semi-retirement. He went on to star in a series of commercials for which he would become almost as well known in the Nashville area as Sir Cecil. The role was Elrod, a country farmer, for the Elrod and Elvira commercials for the Tennessee Department of Tourism. To this day people still remember those commercials. Russ McCown passed away in early 1994, at the age of 65. Sir Cecil Creape and Creature feature will forever be remembered by those of us who watched him as the coolest ghoul in Nashville. I'll sign off as Sir Cecil did each week..."Good night, sleep tight, and don't let the beddie bugs bite."

Larry Underwood, author of this article, is a current horror host in Nashville, TN and the surrounding areas. He plays Dr. Gangrene weekly on Chiller Cinema on Nashville's cable access Channel 19, Fridays at 8pm and Saturdays at 9:30pm. The show airs in Hendersonville, TN Thursdays at 8:30pm. You can check out the Chiller Cinema website at http://chillercinema.tripod.com.

Thursday, February 25

Naschy-cast

My good friends Rod Barnett and Troy Guinn have started a podcast that is dedicated completely to Paul Naschy and his catalog of films. They'll be going through them one by one, taking an in-depth look at the movies and the impact they had on each of them. Pretty cool.
You can download it here

I was just listening to the first podcast for the movie Frankenstein's Bloody Terror - while I was listening I was going through some old zip discs I have and lo and behold, what did I run across but a drive-in ad for that very film! Back in the early 200s I was going through the microfilm over at Vanderbilt University, researching articles on Sir Cecil Creape. While rolling through the microfilm, if I ran across a cool looking drive-in ad, I'd print a copy.

One of the ones I found and liked was that one, at the Bordeaux drive-in, a double feature of it and 5 Bloody Graves, whatever in the heck that is! Here's a few of the ones I ran across and saved. Cool stuff!



Tuesday, October 27

Spookhand Show last Fri Night!


This pic was taken backstage at THE MUSE during the Punk Rock Halloween party last week right before we hit the stage. It's the only shot I have from the night, as none of my group brought a camera. Jeano from the Creeping Cruds took this with his cell phone... as you can see, my costume was very much inspired by Ash from Army of Darkness... but then my momma always told me I had a good head on my shoulders - and two heads are better than one, right! Hey, scoff if you like, but you should hear my harmonies!

Sunday, August 2

Horror Hootenanny 6


Make plans to attend now and come in zombie costume to get in CHEAP! 5 bands, zombie movies, sneak preview clips of local film DEAD START by George Demick, and more... hosted by yours gruely!!

Tuesday, December 2

PSA recognized by City Council

I went to a Nashville City council meeting last night along with Nurse Moan-eek (Linda Wylie) and director Cameron McCasland. This was a local district 28 meeting held at the police precinct on Harding Rd. in Nashville. At this meeting the District 28 Councilmember Duane Dominy (pictured here) presented the Go Green with Dr. Gangrene psa and showed the "Trash Day of the Dead" psa videoprojected on a large screen there. They wanted to recognize the campaign, and councilman Dominy plans to present this to the entire Nashville Metro City Council at the next meeting for special recognition there. Thanks so much, Councilman Dominy!