Monday, November 21

Doghouse – Review – He man women haters club


A Facebook friend recommended the movie DOGHOUSE, available on Netflix streaming, so I settled in late Saturday night with a 2 liter and a bag of popcorn and gave it a whirl. Doghouse is a British film made in 2009. It is billed as a horror/comedy zombie film – which made me initially think of Shaun of the Dead, (especially in the pub scenes) - but this film quickly develops its own style. It was written by first time film writer Dan Schaffer, and directed by Jake West, who has previously shot mostly short films and documentaries.

Doghouse tells the story of a group of guys who decide to get away for the weekend for a boys only vacation. Their friend, Vince, is going through a rough divorce so they take him away to a town called Moodley for a weekend of drunken debauchery, as the female population in Moodley is 3:1 women to men. Once there they discover things aren’t quite as picturesque as they’d imagined – in fact, all the women in the village have been turned into homicidal maniacs who feed on the flesh of men. Their rage is only directed toward men, however, due to a military created virus designed to turn half the population against the other half. The town of Moodley was their test case, since it’s in the middle of nowhere, and the boys unwittingly stumbled into town at the wrong time.

Okay, where to start with this thing… first and foremost, I know it’s a comedy, and not to be taken too seriously, but c’mon – a virus that only affects women? I get that you’re looking for a different twist on the zombie plague, and appreciate that, but this is the best you can come up with? Dumb dumb dumb. And even worse we are later introduced to a device, again military made, that emits a high frequency sound that “can only be heard by women” that stops them dead in their tracks, leaving all the women helpless to the mercy of men. Puts the date rape drug to shame!


This film is hopelessly misogynistic, from the plot device of the virus to the very name of the town, Moodley - get it? Moody women, MOODley – how clever. The women in the film are either a parade of zombies in sexy attire or hideously ugly and fat – no in between. Let’s dress up this one as a sexy bride with an axe, a sexy hairdresser with scissors, a sexy goth, a fat housewife, etc. In fact, at one point the guys, who are all varying degrees of chauvinistic assholes, have a discussion about which zombird, their pet name for the zombie women (bird being a British slang for women, of course) they’d still bang. There is one gay guy in the group but of course he is killed, along with all the fellas with any redeeming qualities to their character. Toward the end of the film Vince finally burns the picture of his soon to be ex-wife that he carries around, as he realizes his independence from the evils of women. About damn time chimes in his buddy.

It’s as if this script was written by a horny high schooler working out all his pent up frustrations toward women on paper. The film is so blatant with its disdain toward women I felt I had stumbled into a monthly meeting of the He Man Women Haters Club from The Little Rascals. I was really embarrassed for it – despite decent production value and effects I definitely cannot recommend this one, as it’s every bit as insulting as some man hating Lifetime channel movie. Doghouse is more like dogshit. Avoid it and just rewatch Shaun of the Dead instead.

Frankenstein Premiered this day in 1931

November 21, 1931 Universal Studios released their big screen adaptation of the Mary Shelley novel, FRANKENSTEIN. Although not the most faithful adaptation it is still the greatest, in my opinion. Happy 80th, Franky!



Friday, November 18

Scripts from the Crypt!


Wanted to tell you ghouls about a great new book called SCRIPTS FROM THE CRYPT. This is the first in a new series of books from prolific writer Tom Weaver, and features the original shooting script, behind the scenes interviews, archival stuff and other goodies and curios. It's available from BearManor, Amazon or your favorite bookseller.

This volume features a gorgeous cover by my buddy Marty Baumann, and when you flip the book over  you get the same treatment for "Bride and the Beast" with a cover by Kerry Gammill. Next up: THE INDESTRUCTIBLE MAN with similar awesome treatment!!

I have to admit a real soft spot for The Hideous Sun Demon. I LOVE that picture, flaws and all - it's my favorite B-movie!

By the way, speaking of Marty Baumann, be sure to check out his awesome website THE ASTOUNDING B MONSTER http://www.bmonster.com - No longer updated regularly it is still a terrific resource with some great articles and interviews. While active Marty won the Rondo award annually. Once he retired it opened the door for some other sites to win (like this one) but The B-Monster is still the king in my book!

http://www.amazon.com/Scripts-Crypt-Hideous-Sun-Demon/dp/1593937008/ref=sr_1_1?ie=UTF8&qid=1321632622&sr=8-1

Frankenstein 1931 Film Herald

Continuing the celebration of the Universal gems DRACULA and FRANKENSTEIN, today I share a beautiful film herald announcing the upcoming release of Frankenstein, 1931.



 What is neat about this particular surviving herald is the fact the back is blank, demonstrating the way these heralds arrived. The theaters would add their own information onto the back of these heralds, such as the one below from 1932, which chose to use that space for advertising non-horror films coming up in March of 1932. Frankenstein premiered on November 21st, 1931, so it must have still been playing at this theater, the Central in Ephrata, PA, in February of 1932.


 Universal had a bona fide hit on their hands, and in 1935 shooting began on the sequel, THE BRIDE OF FRANKENSTEIN.

Thursday, November 17

Dracula Movie Herald 1931

This is a Movie herald for the premiere of Dracula, Feb. 12, 1931. I love the line on the back page - COMING TO THE ROXY THURSDAY, LINCOLN'S BIRTHDAY, FEBRUARY 12

The artwork on this poster is really terrific but it's interesting to note Dracula really doesn't look like Lugosi here. However the artist nailed all the other actors, especially Helen Chandler, so he was certainly capable of capturing people's likenesses. Could this art have been designed before they settled on a lead for the film? Another interesting thing about this poster is the blacked out section on the back above the date. I took it into Photoshop and was able to lift out the original text. It reads: Next Friday, February 13th.

Looking at a calendar for 1931 there was indeed a Friday, Feb. 13th. So someone made the decision to change the opening date from Friday the 13th to Thursday the 12th, and advertise it as Lincoln's birthday! Could that have been a better sales gimmick than Friday the 13th? Perhaps Friday the 13th didn't hold the superstitious impact back then that it has gathered over the years. Of course Lincoln was shot in 1865, sixty six years before this movie premiered, so it was still fairly fresh in the public consciousness. Heck, there was less time between Lincoln's assassination and this premiere than this premiere and it's 80th anniversary, if that puts it into perspective!! By contrast, it's been forty eight years since Kennedy died and people certainly still remember it well, and I doubt that will change in the next 18 years, (which will be the same amount of time between that event and modern day as Kennedy's death to the Dracula premiere.)

You would never see a movie advertised as premiering on a president's birthday nowadays - it's a real comment on our country as well as the respect our country's leaders garnered back then. Definitely a different time. 80 years is a long time - but then again, it really isn't, in the grand scheme of things.


Click to enlarge pictures:


Wednesday, November 16

80 Years Ago...

1931 has always seemed a pivotal year in film history to me. As a matter of fact, when thinking of films I always sort them in my mind as pre-31 and post-31, that year marking the start (to me, anyway) of the modern movie era and moving away from silent cinema. 1931 is also a pivotal year because it saw the birth of not one but TWO horror classics from Universal studios, DRACULA and FRANKENSTEIN.

Dracula premiered February 12, 1931 at the Roxy Theater in New York City. Frankenstein premiered ten months later on November 21, 1931 at the Mayfield Theater (also in New York City). These films served as spectacular (and gruesome) cinematic bookends to the year, and both films are still highly revered as genre classics 80 years after their release. Speak the name Dracula and Lugosi's face pops to most folks minds. Mention Frankenstein and Jack Pierce's iconic design of Karloff's monster is the image burned in the public consciousness. It is amazing to me to think that two films as influential as Dracula and Frankenstein were both released in the same year - by the same studio. Not sure what it was about the year 1931 but Universal was definitely on a roll. This was pre-WWII, as the conflict started in 39. It was depression era America, and times were tough. Perhaps real life struggles such as hunger, food and shelter served as inspiration of even darker terrors - and faced with such awful real life problems the escape of a darkened theater was more than welcome.

Whatever the reasons the results can't be argued with. I am going to spend some time over the next few weeks celebrating both films!

BTW - these pics are huge, so click to ENLARGE!



Tuesday, November 15

80th Anniversary FRANKENSTEIN book!

It's my pleasure today to present a terrific new booklet celebrating the 80th anniversary of everyone's favorite monster.  Frankenstein premiered in 1931, and here, 80 years later, my buddy Scott Essman put together this loving tribute to a true classic of the silver screen. They don't make em like this any more. 

IT'S ALIVE!

Click to enlarge photos and read the text...